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“A glorious account of a magnificent adventure, filled with suspense and seasoned with a quiet humor that is irresistible . . . All those, young or old, who love a fine adventurous tale, beautifully told, will take The Hobbit to their hearts.” – New York Times Book Review A beautiful gift edition of J.R.R. Tolkien's enchanting tale, fully illustrated by Jemima Catlin. Bilbo Baggins enjoys a comfortable, unambitious life, rarely traveling farther than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard Gandalf and a company of thirteen dwarves arrive on his doorstep to whisk him away on a journey to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon. . .  

 

 

• Sales Rank: #24196 in Books
• Brand: Tolkien, J. R. R./ Catlin, Jemima (ILT)
• Published on: 2013-10-01
• Released on: 2013-10-01
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.18" w x 7.00" l, 2.65 pounds
• Binding: Hardcover
• 384 pages

Amazon.com Review
The Hobbit Six Different Editions

Pick the version of the Hobbit that best suits your needs.

The Hobbit; or, There and Back Again The Hobbit; or, There and Back Again

A great modern classic and the prelude to The Lord of the Rings, with an iconic cover inspired by Tolkien’s designs.

The Hobbit: Deluxe Pocket Edition The Hobbit: Deluxe Pocket Edition

This charming deluxe pocket-sized edition contains the complete unabridged text and features a beautiful leatherette cover and gilt-edging. The perfect gift for little Hobbits everywhere!

Hobbit Illustrated Edition Hobbit Illustrated Edition

A beautiful gift edition of J.R.R. Tolkien's enchanting tale, fully illustrated by Jemima Catlin.

Hobbit 75th Anniversary Edition Hobbit 75th Anniversary Edition

This deluxe hardcover edition of J.R.R. Tolkien's classic prelude to his Lord of the Rings trilogy contains a short introduction by Christopher Tolkien, a reset text incorporating the most up-to-date corrections, and all of Tolkien’s own drawings and full-color illustrations, including the rare “Mirkwood” piece.

Hobbit Young Reader’s Edition Hobbit Young Reader’s Edition

The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

Hobbit Collector’s Edition Hobbit Collector’s Edition

This deluxe collector's edition of Tolkien's modern classic is boxed and bound in green leatherette with gold and red foil rune stamping on the spine and cover. The text pages are printed in black with green accents. It includes five full page illustrations in full color and many more in two colors, in addition to Thror's map -- all prepared by the author.

Amazon.com Review
From the Illustrated Edition of The Hobbit "[This was] in fact no other than the great Thorin Oakenshield himself, who was not at all pleased at falling flat on Bilbo's mat with Bifur, Bofur, and Bombur on top of him." "All that the unsuspecting Bilbo saw that morning was an old man with a staff. He had a tall pointed blue hat, a long grey cloak, a silver scarf over which his long white beard hung down below his waist, and immense black boots." "Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed."

From Publishers Weekly
Noted artist Hague provides 48 dazzling paintings for this first-ever version of the timeless fantasy classic. All ages.
Copyright 1989 Reed Business Information, Inc.

Most helpful customer reviews

579 of 627 people found the following review helpful.
Really, the best way to read The Hobbit
By Mark Pollock
Okay, so I say that this is the best way to read The Hobbit. And I am dead serious.
I know that annotated books can be difficult to navigate, filled with useless, pointless, or just plain boring information, and can be grossly oversized. That is not the case here.
So - here's the scoop.
The original story is very nicely presented, with all original illustrations in color when possible, and in black and white elsewhere. The type is nice and clear, very easy to read. (Many cheaper editions are also rather hard on the eyes. Check the print before you buy, folks!)
The illustrations are printed very clearly, and with very good notes on what they are.
And then the annotations - useful, engaging, and very well done. You will WANT to read these. We discover how the book was written, and what was changed between editions. (There were many changes made so that The Hobbit would conform more easily to the Lord of the Rings trilogy.) There are fascinating tidbits about Tolkien's life and the experiences that made their way into the story.
The forward tells about the writing of the novel, and the appedices give additional details about the text.
There are also many illustrations from other editions of the book. These are varied, from thought-provoking to not-provoking.
And the book is not too big. Some editions are simply too big to be read, but this book is reasonably sized so that you can actually READ IT! In fact, I have not read any other edition of The Hobbit for years, since the original annotated version came out.
The new edition is very much worthwhile. Enjoy!

204 of 219 people found the following review helpful.
The Hobbit Jemima Catlin
By Cory W. Yates
I just wanted to take the time to update anyone who is interested in purchasing this illustrated edition of The Hobbit. As you probably know, there aren't many illustrated editions of the hobbit and most that are illustrated aren't all that incredible. So far, my favorite edition has been the one by Alan Lee. I must say, it's hard to top his work. Alan Lee really helped bring the story to life for me when I first read this incredible adventure by Tolkien. However, because I believe that The Hobbit is a tale directed at the hearts of children and adults that are young at heart, I believe that Jemima Catlin's illustrated edition has topped even the great Alan Lee's. First off, the quality of this book is excellent. The book has been wrapped in cloth so the book feels high quality and soft to the touch. Also, the cover has a beautiful illustration from the book that includes carefully placed gold etching on the leaves, title, and author's name. This really gives the book a nice luster and shine. The book doesn't come with a book jacket and honestly I think that was smart based off of how high quality the book feels and looks. It just doesn't need a cheap paper jacket to cover such a beautiful looking book.

The illustrations that are presented in the book are a thing of beauty. Not only are there a great many (every two or three pages or so) but they are incredibly colorful and really pop when you look at them. I do think the illustrator's style is to appear more colorful and simple at first glance, but at the same time you will look at the illustrations carefully and see the amount of time and effort that she put into this work. I love this style of simplicity and use of color. Though not the exact same style, I feel like it reminds me of illustrators like William Steig who just have this incredible knack for bringing out amazing details with small illustrations. In fact, I truly and desperately hope that Jemima Catlin will be commissioned for Lord of the Rings. If you happen to read this Jemima, I just wanted to say thanks for putting so much passion and hard work into this book. I look forward to reading this to my children someday and plan on using your version when I do! As a side note, I should mention that some of Tolkien's original maps are included in the front and back of the book.

Lastly, it wouldn't be an appropriate review of The Hobbit without mentioning how amazing this story really is. If there is any part of you that believes in things like magic, risk-taking, adventure, friendship to the end, finding faith in the smallest of people or things, and good triumphing over evil, this is the book for you. I fell in love with the characters of this story and am thankful for authors like J.R.R Tolkien for having that God-given ability to captivate readers through these characters and the adventures they set out on. Every time I read this book I feel like I'm a kid again and that in itself is a great thing in my eyes. However, as an adult this book not only brings about those childhood feelings, but also strengthens my personal faith, and leads me to believe that those who truly live life to the fullest are those who go against the flow, take risks despite the fears or consequences when they know that it's in the name of doing what they feel is right inside of there hearts. I think there really is some of Bilbo Baggins in all of us and we learn a great deal from his adventure.

If you cannot tell, I love this book. It is saying a lot for me that this is my favorite edition of the book so far. This truly is a high-quality, gift edition that you will be very proud to own. Don't hesitate to purchase! Thank you J.R.R Tolkien and Jemima Catlin!

525 of 573 people found the following review helpful.
Finally a "real" unabridged recording of LOTR
By CJ
I am not one who usually buys books-on-tape (or CD as in this case) but I have long wanted to obtain the Lord of the Rings so as to hear this incredible story over and over. After having read it several times, my book is in tatters and so I searched for an unabridged audio recording. Many of those that I have seen claim to be "unabridged" but the fact is that they are not complete! They give parts of the books in full but leave out many sections or chapters. This set by Rob Inglis is COMPLETE!!! It is very well read with no drastic voicing of characters. Characters are easily distinguished and thoroughly enjoyable. This set is not full of sound effects and music, so if you are looking for that this is not for you. However, I personally prefer the fact that this is not an over-production and is rather quite focussed on what I wanted in the first place, the characters and the story. Inglis does a marvelous job and I am very happy with this set. Again, not to harp on it but, this is a "complete" package well worth the money!!!

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Geography is a subject which throughout its history has been dominated by men; men have undertaken the heroic explorations which form the mythology of its foundation, men have written most of its texts and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses.

Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, different aspects of the discipline's masculinism are discussed in a series of essays which bring influential approaches in recent geography together with feminist accounts of the space of the everyday, the notion of a sense of place and views of landscape. In the final chapter, the spatial imagery of a variety of feminists is examined in order to argue that the geographical imagination implicit in feminist discussions of the politics of location is one example of a geography which does not deny difference in the name of a universal masculinity.

• Sales Rank: #5148306 in Books
• Published on: 1993-08-20
• Original language: English
• Number of items: 1
• Dimensions: 9.84" h x .59" w x 7.87" l, 1.00 pounds
• Binding: Hardcover
• 216 pages

Review
'It's very personal, very courageous, and very challenging.' Derek Gregory, Professor of Geography at the University of British Columbia

'.subtle and sophisticated.this is an important book.' The Geographical Journal

'This is an important book in the development of feminist geography.' Geography

'... A greatly needed assessment of recent work influenced by the fertile connections between feminism and geography.' Progress in Human Geography

From the Back Cover
Geography is a subject which throughout its history has been dominated by men; men have undertaken the heroic explorations which form the mythology of its foundation, men have written most of its texts and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses.

Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, different aspects of the discipline's masculinism are discussed in a series of essays which bring influential approaches in recent geography together with feminist accounts of the space of the everyday, the notion of a sense of place and views of landscape. In the final chapter, the spatial imagery of a variety of feminists is examined in order to argue that the geographical imagination implicit in feminist discussions of the politics of location is one example of a geography which does not deny difference in the name of a universal masculinity.

About the Author

Gillian Rose is Professor of Cultural Geography at the Open University

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• Original language: French
• Dimensions: .43" h x 4.25" w x 7.01" l,
• Binding: Mass Market Paperback

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Russias greatest poet Puskin led a short but turbulent life. His poetry tacklesthe great themes of the human condition: Love and sex nature and art the individual and social.

• Sales Rank: #2882465 in Books
• Published on: 1982-06
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.70" h x .66" w x 5.54" l, .80 pounds
• Binding: Hardcover
• 240 pages

Review
Dr. Briggs's review of Pushkin's achievement is stimulating and convincing. In examining Pushkin's verse [he] skillfully demonstrates the poet's superb technical mastery....and brings out Pushkin's clarity, musicality, sense of balance and light touch....Alexander Pushkinshould be read by everyone interested in Russian literature: there is no better introduction in English to the poet whom Tyutchev called 'Russia's first love.'>>> (Times Higher Education Supplement (England))

Dr. Briggs's review of Pushkin's achievement is stimulating and convincing. In examining Pushkin's verse [he] skillfully demonstrates the poet's superb technical mastery....and brings out Pushkin's clarity, musicality, sense of balance and light touch....Alexander Pushkinshould be read by everyone interested in Russian literature: there is no better introduction in English to the poet whom Tyutchev called 'Russia's first love.' (Times Higher Education Supplement (England))

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

About the Author
Aleksandr Sergeyevich Pushkin, b. June 6 (N.S.), 1799, d. Feb. 10 (N.S.), 1837, was Russia's greatest poet. His use of the vernacular as the language of poetry freed Russian writing from the constraints of tradition and set new literary standards for novelists and poets, and his preference for subjects from history and folklore brought fresh vitality to Russian literature. Anthony Briggs, Professor of Russian at Birmingham University, Senior Research Fellow at Bristol University, is a well-known writer and broadcaster on Russian cultural affairs and European poetry. His recent translation of War and Peace was critically acclaimed. Among his many publications are six editions in the Everyman's Poetry series.

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Good, fast fun
By epic phlegm Hooha
This book of poems can be read quickly. It includes English translations by up to ten other poets, but 33 of the 60 poems in this book have been translated by A. D. P. Briggs. Briggs also revised the translation of the 57th. Poem 16, "The Caucasus" is credited to F. Cornford on pages xxi and 19, but the Acknowledgements on page 104 credits a book, POEMS FROM THE RUSSIAN (1943), "trans. Frances Cornfield and Esther Polianowski." Of the Pushkin poems translated by C. M. Bowra in a book from 1948, eight poems are included in this book.
The Contents lists the titles of the poems, and the Introduction explains poetic qualities which the translations in this volume attempt to match, "partly to ensure that interesting formal properties like these are not lost." (p. xv). The first paragraph on page xvi attempts to show how the poems "are grouped roughly thematically," into personal, the natural world, poetry, love, some poems of ideas, for the first half of the book. The longer works in the final portion of the book include the concluding stanzas of YEVGENY ONEGIN, Chapter 8, Stanzas 33-51.
A few things about this book seemed British to me. The word which made the least sense to me was "judder," in the poem "The Waggon of Life," on page 39. If the word was made up to produce a rhyme, the line it was in would have made more sense if it had ended with the common word, shudder:
Feeling the waggon shake and shudder.
The stanza doesn't end with: "We cry, `Slow down you silly buggy!"

4 of 9 people found the following review helpful.
On the cutting edge of letting it all hang out.
By epic phlegm Hooha
This book of poems can be read quickly. It includes English translations by nine other poets, but most (33) of the 60 poems in this book have been translated by A. D. P. Briggs, who has devoted four books to Pushkin and has also edited four other volumes in the Everyman's Poetry series. Briggs also revised Chapter 8 of Oliver Elton's translation of Yevgeny Onegin, which he describes in the Introduction as, "A few stanzas from the end of the novel are included here in order to give a general impression of how the novel works." (p. xvii). Poem 16, "The Caucasus" is credited to F. Cornford on pages xxi and 19, but the Acknowledgements on page 104 credits a book, POEMS FROM THE RUSSIAN (1943), "trans. Frances Cornfield [this mistake might be due to the enormous number of actual cornfields that currently exist on this planet] and Esther Polianowski." Of the Pushkin poems translated by C. M. Bowra in a book from 1948, eight poems are included in this book.
The Contents lists the titles of the poems, and the Introduction explains poetic qualities which the translations in this volume attempt to match, "partly to ensure that interesting formal properties like these are not lost." (p. xv). The first paragraph on page xvi attempts to show how the poems "are grouped roughly thematically," into the order in which the themes are encountered in the first poem in this book, "Winter. What shall we do out in the country?" Pushkin's major themes are identified as the personal, the natural world, poetry, love, some poems of ideas, and his poems on those topics comprise the first half of the book. The longer works in the final portion of the book include the concluding stanzas of YEVGENY ONEGIN (which has 366 stanzas altogether), Chapter 8, Stanzas 33-51.
The poems "Remembrance" and "Elegy" are mentioned as examples of a Pushkinian philosophy of life. Thoughts "Settle in limpid twilight languidly distilled," as the third line of the poem "Remembrance" puts it. Pushkin is capable of other feats, and the introduction observes that one long poem, "(known in Russian as `Gavriiliada' after the angel Gabriel) is an overtly sacreligious re-enactment of several Bible stories (Adam and Eve, Joseph and Mary, the Annunciation, etc.) run together into an extended sexual romp." (p. xviii). This kind of thing is usually considered a catastrophe, as far as serious philosophy is concerned, and "In its day Pushkin could not acknowledge authorship; neither could Russian criticism until recently." (p. xviii). It reminds me of the poem, "the boys i mean are not refined," by e. e. cummings, which was only included in a limited edition of nine copies of his book, NO THANKS, in 1935, but was dropped in subsequent editions until after his death in 1962. Similarly, the introduction by A. D. P. Briggs notices Pushkin's use of "swearwords in `The Waggon of Life'," (p. xix) which Briggs called, "language unusable until recent times in both Russia and England." (p. xvii). Anything that I might say about such language might be considered totally off the subject here, but a revisionist view of the relationship between poetry and philosophy might make some personal comments appropriate here.
As author of the unpublished, unedited, and largely unwritten MY VIETNAM WAR JOKE BOOK, any claim that I might make to knowledge of philosophy is highly suspect, similarly to the status achieved by Martin Heidegger when he is considered the Nazi philosopher. In my case, the must dubious aspect of convergence might be expressed by using the phrase *peace with honor* instead of any swearword that might appear. This could be catastrophic for the poetic values involved, but purely for philosophical reasons, I would like to insert *peace with honor* in place of the swearwords in Pushkin's poem, "The Waggon of Life." The second and third stanza become:
We climb aboard the boards at dawn
Full of wild devilment and crowing;
Spurning the lanquid life with scorn,
We cry, `Go on, get *peace with honor* going!'
But by midday we've lost that boldness,
Feeling the wagon shake and judder.
Dread are the heights and dizzy gorges,
We cry, `Slow down you silly *peace with honor*!'
A few things about this book seemed British to me. The word which made the least sense to me was "judder," in the poem "The Waggon of Life," on page 39. If the word was made up to produce a rhyme, the line it was in would have made more sense if it had ended with the common word, shudder:
Feeling the waggon shake and shudder.
The stanza doesn't end with: "We cry, `Slow down you silly buggy!"

0 of 0 people found the following review helpful.
A classic
By John Thingstad
This deserves the highest rating. An echo ef eternity itself. A beatuful piece of lyrics. I recomend it to anyone with a passion for poetry. This is a classic!

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[X861.Ebook] Free Ebook Child Of The Morning, by Pauline Gedge

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Child Of The Morning, by Pauline Gedge

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Originally published in l977, this first novel by Pauline Gedge has become an international bestseller and has been translated into 5 foreign languages. A chronicle of passionate intrigue and sensuous exoticism, Child of the Morning resurrects the life of the awesome Hatshepsut, the only woman pharaoh of ancient Egypt, whose name was erased from history by her enemies, outraged at having to bow to a woman's command.

Authentic in all of its detail and rich in powerful imagery, Child of the Morning "combines ancient artifacts, timeless psychology, and sure pacing"(The Globe and Mail), to portray the majesty of its vanished world. Its artistry transcends the boundaries of historical fiction to create a novel of the first order.

• Sales Rank: #2534805 in Books
• Published on: 2005-12-06
• Released on: 2005-12-06
• Format: International Edition
• Number of items: 1
• Dimensions: 7.00" h x 1.20" w x 4.30" l,
• Binding: Mass Market Paperback
• 576 pages

From Publishers Weekly
While Hatshepsut, Egypt's only woman Pharoah, was considered a god, Gedge portrays her as very much a human being in this fine historical tale.
Copyright 1993 Reed Business Information, Inc.

Review
“Gedge sets her living, breathing Queen against a beautifully detailed Egypt that we see as it must have been so long ago.”  —Publishers Weekly

"The author’s strong sense of time and place is evident in every scene. A superb portrait of a powerful but very human queen."  —Library Journal

"Splendor, splendor everywhere."  —Kirkus Reviews

"A rich pageant, satisfying on more levels than simply that of narrative."  —Wall Street Journal

"Combines ancient artifacts, timeless psychology and sure pacing.”  —Globe and Mail

“This is as fine a novel as anyone would want to read.”  —Columbus Ohio Dispatch

"A compelling and human story without a single dramatic lapse."  —San Francisco Examiner

“Epic accounts of feasts and festivals, and a steady flow of details related to life in ancient Thebes . . . the sunny, sweating world of [Egypt] in filmic splendour.”  — Vancouver Sun

About the Author
PAULINE GEDGE is the award-winning and bestselling author of thirteen previous novels, ten of which are inspired by Egyptian history. Her first, Child of the Morning, won the Alberta Search-for-a-New-Novelist Competition. In France, her second novel, The Eagle and the Raven, received the Jean Boujassy award from the Société des Gens des Lettres, and The Twelfth Transforming, the second of her Egyptian novels, won the Writers Guild of Alberta Best Novel of the Year Award. Her books have sold more than 250,000 copies in Canada alone; worldwide, they have sold more than six million copies and have been translated into eighteen languages. Pauline Gedge lives in Alberta.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great Story
By JLee
Pauline Gedge is such a talented writer. I've only read two of her books so far, this and The Scroll of Saqqara (a/k/a Mirage), and I'm so impressed with her ability to paint a scene.

This book is so nicely written, it is a joy to read. It was, for its time (it was originally published in 1977) considered historically accurate. It is the story of Hatshepsut, daughter of Thutmose I, of the 18th Egyptian Dynasty, as it was known in the 1970’s. Hatshepsut must have been an extraordinary child; she certainly was an extraordinary adult. When she was a teen, her father proclaimed to the court that she was to be his successor, but instead, she wound up queen and wife to his son (by a concubine) the ineffectual Thutmose II. Thutmose II died young, leaving Hatshepsut with a daughter and Egypt with a son by a concubine, the child Thutmose III.

Hatshepsut, as was typical and acceptable in Egypt, remained in power as regent for the child king, but then later she declared herself king (there was no word in the ancient Egyptian language for “queen” either as the wife of a king or as a female ruler) with the young Thutmose III as her junior co-regent (there were numerous instances of co-regents in Egypt, but they were typically father and son). She is urged to have Thutmose III killed, but she refuses. He gains power; and she knows her time is limited.

However, over the years, we have not only learned a lot about ancient Egypt, but we have also learned how gender-biased earlier theories were. For instance, this book holds with the old belief that Thutmose III hated Hatshepsut and objected to a female overshadowing him, and he couldn't wait to kill her and take over Egypt and destroy her monuments. Hatshepsut actually lived to a ripe old age, by ancient standards, and there is no reason to suspect anything other than a natural death.

More about Hatshepsut for those interested: Her great successes are shown in the book. There are records of her leading a military campaign in Nubia, but most of her reign was peaceful and prosperous. She built or repaired temples across Egypt. She sent explorers to find the long-lost, fabled land of Punt; they returned with amazing riches and reestablished trade for luxury goods to be brought into Egypt. And, of course, she built the most amazing and beautiful sight in all of Egypt: her mortuary temple at Deir el-Bahari. She was, all in all, a great ruler and her reign was very successful.

Various Egyptologists, Peter Dorman to name one in particular, have proven that Hatshepsut and Thutmose III coexisted quite peacefully throughout her long reign. Immediately after her death, he completed several monuments she had started, leaving her name and image intact, and leaving images of the two of them together with him as the subordinate. He did usurp some (but not all) of her monuments, but not until about 20 years after her death and his full succession. He was hardly the first or the last pharaoh to do something like that (Ramesses II recut monuments and put his name on just about anything he could). Thutmose III may have simply desired, at the end of his life, to absorb her reign into his, or there may have been a dynastic dispute as to who would succeed him (I always thought his son, Amenhotep II, comes across as an arrogant, incompetent jerk), or there may be other reasons we don't know about.

But all the evidence is that Hatshepsut nurtured the young Thutmose III and supported him; she just remained the primary king while he was junior to her. Why that happened, we don’t know, but she certainly could not have claimed the kingship without support of the court. To later generations, she may simply have been remembered through Thutmose III’s and Amenhotep II’s propaganda as only a regent to the child king. The fact remains that she could have had Thutmose III done away with at any time, and she chose not to.

There were several other female kings before and after Hatshepsut, but she is simply the best known. There even exists a Second Dynasty inscription (reign of Nynetjer, if I remember correctly) that proclaims that it was decided that a woman could become king. Hatshepsut, in fact, was the last (for a while) in a long line of very prominent and powerful women. I’ll just mention one: her great-grandmother, Ahmose-Nefertari, the long-time regent for her son, was still depicted by his side until her death, many years after he reached adulthood. She was deified and worshipped as a goddess for several hundred years.

One thing that was quite unknown when the myth of his woman-hating vengeance was originally created was that Thutmose III built his mortuary temple subsidiary to Hatshepsut’s. It was so badly destroyed, it was until quite recently believed to be a ruined part of her temple. I don't see the logic in him building his temple in that location if he hated her.

Still, this book is beautifully written and a lovely story. It should just be kept in mind that it's fiction and not history. It tells much of the tale of a glorious ruler, although it gives her a sadder end than she deserves.

0 of 0 people found the following review helpful.
African Epicness!!!
By O Vincent
If you love ancient history, especially the wonderful Egyptians, then this book is just what you need. What it lacks in characterization it makes up for in sheer fun. A fast read, and though it can hardly be faithful to history, Hatshepsut is just as one might imagine her to be: lovely as the dawn yet cold as the night, drawing you into herself yet keeping everyone at a distance. I feel so much more could have been done with her character, as her relationship with Senmut left much wanting, but the book was already long enough since it covered her entire lifetime. The story did get maddening at times and required more than normal suspension of disbelief, but it was absolutely fun, the detail was exquisite, the battle scenes well drawn, and the characters were full of life. Gedge is a wonderful writer. This is my first book of hers, but I will definitely be reading more of her.

0 of 0 people found the following review helpful.
Good story, but the digital transformation was a bit rough
By Michalea Moore
I read this book at least 15 years ago, and it still holds up on a second reading. Recent discoveries in Egypt undercut some of the premises, but the overall story is still compelling. Hatshepsut is one of the more interesting figures in Egyptian history, being both female and pharaoh, and Gedge is masterful in taking the bits that we actually do know about her (for example from what still exists on the walls of her temple) and weaving them into a cohesive fictional biography. She puts in a lot of details about ancient Egypt without making them sound like a lesson or a guidebook.

It does look like the the original was scanned and not copy edited. There are many errors, such as periods in the middle of a sentence, using one word when another was clearly intended (most hilariously, Gots for Gods a couple of times.) Still, worth the price.

Highly recommend for people interested in ancient Egypt.

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If fate sent you an email, would you answer?

When teenage movie star Graham Larkin accidentally sends small town girl Ellie O'Neill an email about his pet pig, the two seventeen-year-olds strike up a witty and unforgettable correspondence, discussing everything under the sun, except for their names or backgrounds.

Then Graham finds out that Ellie's Maine hometown is the perfect location for his latest film, and he decides to take their relationship from online to in-person. But can a star as famous as Graham really start a relationship with an ordinary girl like Ellie? And why does Ellie want to avoid the media's spotlight at all costs?

• Sales Rank: #187899 in Books
• Published on: 2013-12-24
• Released on: 2013-12-24
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.13" w x 5.50" l, .85 pounds
• Binding: Paperback
• 432 pages

From School Library Journal
Gr 8 Up-This well-crafted, character-driven love story opens with an endearing prologue told in emails. When 16-year-old Ellie O'Neill accidentally starts an exchange with a stranger, she doesn't expect their virtual conversations to turn into a romance. But over the course of a few months, that's exactly what happens. Ellie doesn't know the boy's name until he shows up on her doorstep. He's Graham Larkin, a famous movie star whose next film just happens to be shooting in her quiet Maine town. While most of the girls are dying to be in her shoes, she has reservations. Ellie is the illegitimate daughter of a prominent politician, and her mom moved them to escape the unrelenting media. Now they struggle financially in order to maintain their privacy. Graham's life is anything but private. However, though he is handsome and wealthy, the teen is also lonely and uninspired. His parents, uncomfortable with his fame, choose to distance themselves from him, while his controlling manager wants Graham to date his beautiful costar for the good publicity. Despite those obstacles, Ellie and Graham sustain a sweet and genuine romance. Their chemistry is undeniable, and readers will wonder about their love story long after the last page. An excellent recommendation for fans of Maureen Johnson.-Kimberly Garnick Giarratano, Rockaway Township Public Library, NJα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
When “GDL” gets an e-mail address wrong, the surprise recipient, “EONeill,” decides to reply. The two develop a deep and intimate rapport despite guarding their true identities. But down-to-earth movie star Graham Larkin is certain that Ellie is someone special, and he lobbies to shoot his new movie in “the middle of nowhere, Maine,” Ellie’s hometown. Ellie is shocked to learn who Graham is, and she is anything but thrilled by the prospect of dating a teen heartthrob. Meanwhile, the paparazzi trailing Graham threaten to upturn the quiet, carefully constructed life Ellie and her mother have nurtured to smooth over a high-profile secret. The shared third-person narration lends a quiet insight into these two likable characters whose histories and flaws are relatable and fully fleshed out. The blend of celebrity glitz and small-town coziness gives this summer love story a pleasant frame, and it will leave readers wishing for more time with this endearing couple as the sun rises on their last morning together. Grades 8-11. --Heather Booth

Review
* "Engaging from the first page."―VOYA, starred review

"Like Smith's The Statistical Probability of Love at First Sight, this sweet novel has a premise worthy of the movies...[The] charming leads, smalltown backdrop, and absurdly romantic conceit will win hearts."―Publishers Weekly

"Utterly convincing...a cast of vivid, sympathetic characters whose fate matters to readers and keeps them turning the pages."―Kirkus Reviews

"The blend of celebrity glitz and small-town coziness gives this summer love story a pleasant frame, and it will leave readers wishing for more time with this endearing couple as the sun rises on their last morning together."―Booklist

"Ellie and Graham sustain a sweet and genuine romance. Their chemistry is undeniable, and readers will wonder about their love story long after the last page."―School Library Journal

"Undeniable chemistry...Ellie and Graham's connection, 'like the pull of a magnet, powerful and inevitable,' lingers on beyond their wistful but optimistic goodbye."―The Horn Book

Most helpful customer reviews

26 of 27 people found the following review helpful.
Beautiful Writing, Underwhelming Story
By Andrea T
This is What Happy Looks Like was surprising, to me. I read a review yesterday by Jen YA Romantics, that described it as a mix of You've Got Mail, Notting Hill, and What a Girl Wants. That's about as accurate of a description as I could ever hope to come up with.

What was surprising for me about This is What Happy Looks Like is that it was, hmm... underwhelming. Don't get me wrong, it was sweet, and charming. I liked the characters, but there was not a lot to keep me hooked. In fact, I put this down for three days because I got swept away in another series that was full of fun and passion and angst, highs and lows. And in comparison, this was just nice.

Smith is obviously an extremely talented author. I absolutely adored The Statistical Probability of Love at First Sight. I raved about it to all my friends for months, and credit it with making me love a boy named Oliver. Maybe that has caused me to judge this book a little too much. And though I liked Ellie and Graham, their portrayals were just sort of flat. I understood were they were coming from with their feelings and questions about their lives, but they didn't feel fully developed. I almost felt a true attachment to them and their story at certain points, the epic was just within reach, but then the story would move along and the feeling went away. Also, I would have like a least a smidge more resolution in the ending.

This Is What Happy Looks Like was a good, if underwhelming, story. I did like it, but will also say that I never fell in love with it. And I wouldn't discourage anyone from reading it, but I would also say to maybe be prepared to not be swept away.

17 of 19 people found the following review helpful.
THIS IS WHAT AMAZING LOOKS LIKE!!!
By Fly to the Sky
So to start off, I just want to put it out there that I am NOT a big fan of contemporaries. I mean there are a few authors in that category that I will read, but normally I'll stick to the more Sci-Fi and Fantasy aspects. Well Jennifer E. Smith is one of those authors I can't get enough of. A few months ago when I read The Statistical Probability of Love at First Sight, I fell in love with her writing style. So when I heard that she had a new book coming out with an amazing premise, I just had to pre-order it. And then I had to stay up until four in the morning to read it. (yeah, I'm the kind of person who does that, BUT only if I don't have school.) My point is This is What Happy Looks Like does not disappoint.

THE PROS

1.) The E-mails. The e-mails were funny and it was a great concept, although it might have made a bit more sense if they were texts. (More people text than use e-mail.)

2.) Dual POV. In The Statistical Probability of Love at First Sight, there was only Hadley's perspective, but in this book, both Ellie and Graham get there say.

3.) Ellie and Graham. I just loved bot of them. They come off as really shy around each other and it's really cute. I love Ellie's back story and why she has a reason for not wanting to be with Graham. So many times you read a book and the main characters are kept apart for stupid reasons, but here, it made sense.

4.) Graham's pig Wilbur.... You never actually get to meet him. :'( But I did think Graham's relationship with his pig was insanely sweet!

5.) The cover! I just LOVE the cover. It's just so pretty.

6.) Jennifer E. Smith's writing style. I've already said this, but I just love how she writes the story, she actually makes you feel connected.

7.) I loved the beginning. It was so funny how Graham was so let down about "Ellie" because the whole time I sat there laughing and thinking, "I know something you don't!!'

8.) I loved Graham and Ellie's jokes, like the whoopie pie one and also there funny stories. =D

THE CONS

1.) I would have liked to see more of the E-mails between Graham and Ellie before the author actually introduced them into the book.

OVERALL

In all, I really enjoyed this book. Jennifer E. Smith somehow manages to make her novels feel so real, like what is happening in them is totally possible. I though this book was a fantastic read.

WOULD I READ THIS BOOK: YES!!!!!!!
WOULD I BUY THIS BOOK: NO DOUBT ABOUT IT!!!!
WOULD I RECOMMEND THIS BOOK: To lovers of contemporaries or for people looking for a light funny read.

WILL I READ MORE BY THIS AUTHOR: YES!!!

7 of 8 people found the following review helpful.
Angieville: THIS IS WHAT HAPPY LOOKS LIKE
By Angela Thompson
Jennifer E. Smith gets the cutest covers in the world, doesn't she? I picked up The Statistical Probability of Love at First Sight almost entirely on the merits of its adorable cover alone. And when I saw the cover for THIS IS WHAT HAPPY LOOKS LIKE, I immediately began daydreaming about how happy they would look next to each other on my shelves--an activity I engage in all too often when it comes to books of a feather. And given how much I loved The Statistical Probability of Love at First Sight, I felt that my feelings for her next novel were sort of a foregone conclusion. Especially when you take into account the much-billed You've Got Mail meets Notting Hill premise. I ask you--who can resist the wild potential of that setup? No one. That is who. But one of the things I loved the most about The Statistical Probability of Love at First Sight was how it packed so much more of a punch that its name or cover suggested. It was deeper and wider than its slim-ish page count and 24-hour time period foretold. I don't think I realized going into this one how much I was counting on the same thing being true of it.

Ellie O'Neill and Graham Larkin don't know each other at all. Ellie is the daughter of an ex-waitress turned shop owner in the backwoods town of Henley, Maine. Graham is an all American kid turned movie star from California. The two have nothing at all in common (except perhaps a love for Charlotte's Web) until Graham mistypes a single email address, hits send, and it winds up in Ellie's inbox way on the other side of the country. His misplaced missive ignites what evolves into a lively correspondence in which the two teenagers exchange jokes, detail their day-to-day goings on, their hopes, their dreams, and ruminate on what "happy" looks like. Neither of them quite realize how much the burgeoning virtual friendship means to them until the location for Graham's upcoming rom-com falls through, and he finds himself suggesting Henley as a possible alternative. And with that one act, he somewhat wittingly, somewhat unwittingly sets the two of them on a collision course. The results are both enlightening and unexpectedly fraught as Graham finds a kind of home in the most unlikely of places and Ellie grapples with a secret she promised never to tell. Soon Graham's time in Henley will be up. And where will they go from there?

THIS IS WHAT HAPPY LOOKS LIKE has a great deal of charm going for it. Graham and Ellie are eminently likable. The lovable happenstance of their "meeting" is difficult to resist. And the small-town Maine setting is one I've enjoyed in the past and that is once again used to great effect here. Smith's writing is capable and occasionally lovely, if not as consistently so as it was in The Statistical Probability of Love at First Sight. One of the lovelier observations here:

"No matter how long it's been or how far you've drifted, no matter how unknowable you might be, there were at least two people in the world whose job it was to see you, to find you, to recognize you and reel you back in. No matter what."

I feel that one of Jennifer E. Smith's real strengths is the upfront, sensitive way in which she depicts families. Her characters' romantic entanglements are not resolved in place of their familial relationships, but as a result of their dealing with them first. Sometimes the one unfolds along with the other, and often they help one another work through their baggage. What I'm saying is their priorities are generally in order, and I dig that about Smith's characters (and her books). Like Hadley, Ellie struggles with father issues. These issues are, in fact, meant to be pivotal to the story. But where Hadley's felt incredibly real and meaningful to me, Ellie's rarely cross the border from the tepid into the profound. So when the plot takes a turn to explore that vein, I felt ambivalent when I should have been riveted. As for Ellie and Graham, I liked them all right. But I never truly fell for them in a way that made me unable to look away. They are both good people. They're good and they're well-intentioned and they're dedicated to achieving their goals for the future. I was happy that they found one another. I wanted them to find a way to be together. I just didn't feel compelled to stick around and watch it happen. They "looked" like happy to me, if you will, but they failed to inspire the real emotion behind the exterior. In the end, THIS IS WHAT HAPPY LOOKS LIKE has all the key elements of a competent, if somewhat bland romantic comedy, but it lacks that certain spark that makes it a keeper.

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[G327.Ebook] Ebook Download The Helping Relationship: Process and Skills (8th Edition), by Lawrence M. Brammer, Ginger MacDonald

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The Helping Relationship is a book for learning and teaching basic philosophy, helping skills, and processes that are essential grounding for most professions and for all human-contact occupations. The Helping Relationship presents and illustrates skills in the order in which they are used in the helping process. The primary emphasis in the helping process is to promote self-help, such as coping competence, to solve one's own problems and draw on one's own inner strengths. For social workers, counselors, business managers, nurses and anyone involved in the helping professions.

• Sales Rank: #533625 in Books
• Published on: 2002-10-04
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .60" w x 6.90" l, .88 pounds
• Binding: Paperback
• 224 pages

From the Back Cover
Counseling is not just a specialized profession reserved for a few trained individuals. All people are called upon at certain points in their lives to serve as counselors, listeners, or helpers in some way. Basic counseling skills are a necessity for every single individual, whether one is a parent listening to his teenager, a family member helping another cope with the loss of a loved one, a doctor counseling a patient about a terminal illness, a friend providing support for another friend, or even a business professional engaging in active listening at a meeting or interview. Counseling requires leadership and compassion, and it is a skill that all must possess in order to live with others in the world. This book describes in non-technical language the human helping process and provides training for anyone interested in becoming a helper. Filled with examples and step-by-step outlines on how to develop basic counseling skills, this book focuses on helping people learn to help themselves and each other. Providing a systematic approach to acquiring helping skills, this book cuts through psychological jargon and reaches across various professions and settings. Readers are asked to consider important personal issues of being a helper as they enter professional or paraprofessional roles as helpers. Social workers, counselors, human service professionals, business professionals, law professionals, medical professionals, and anyone interested in becoming a helper.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Nooo
By Amazon Customer
Very boring, didn't use it for class and still had to pay for return shipping which sucks.

2 of 2 people found the following review helpful.
Redefining the word "Helping" on many levels
By RN to BSN Student
The authors take the student thorugh 8 chapters on Helping as a occupational category, volunteer, and as applied to the "helpee". How it is a process with skills, ethics and procedures for implementation and ideally success.

2 of 2 people found the following review helpful.
needed it for my college course
By Christina
this book arrived within a very timely manner. book was as described. just a few highligher marks, which I dont mind. its a really boring book, because facs/psychology is just a lot of common sense but otherwise, I was satisfied with it.

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[V393.Ebook] Free PDF Love at Fourteen, Vol. 3, by Fuka Mizutani

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Kanata and Kazuki are unwittingly pit against each other during a feud between the girls and boys, and their budding relationship is put to the test when personal feelings explode their mature facades! With their perfect student reputations also on the line, can Kanata and Kazuki reconcile their differences, or will their argument become someone else's gain?

• Sales Rank: #1199091 in Books
• Published on: 2015-06-23
• Released on: 2015-06-23
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .75" w x 5.75" l, .0 pounds
• Binding: Paperback
• 192 pages

About the Author
Fuka Mizutani is the manga artist behind the bittersweet manga series, Love at Fourteen.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Young Love at its Best
By JC
What can I say? The third volume of Love at Fourteen continues its amazing story of young romance. What makes this series so impressive is how easily readers will empathize with the characters. And by the third volume, the cast of characters has grown to a point where you'll have no trouble picking out both your favorite person and your favorite budding relationship.

After the events in the last volume, there's now tension between the boys and girls of class 2-B. Kanata and Kazuki who step in trying to mediate the situation actually get sucked into it themselves. This results in the couple getting into their first fight ever with delightful consequences (at least to us readers). While this arc isn't necessarily one of my favorites due to its reliance on classic romcom tropes of misunderstandings driving the conflict, the arc does contain some of the author's best drawings on the series yet. I'll try not to reveal too much, but let's just say the characters fantasize about their love interests in school play costumes and man oh man is it stunning.

While Yen Press's summary advertises Kanata and Kazuki's fight as the main story for this volume, thankfully there's plenty more story to read including Kanata's first experience with makeup and a meaty arc between Nagai and Hinohara-sensei where Nagai questions whether or not Hinohara cares about him. This was definitely my favorite part of the book and as you can probably guess, my favorite couple.

One last thing that must be said is Aoi Shiki wins this volume's contest of best character. Ironically, while I like her the least of the main cast, she is arguably the most interesting because of her porcupine-like personality and numerous flaws. She also has the biggest uphill challenge in her love life on two fronts, the first being that she's in love with a girl and the second being that she knows her crush loves someone else. You're going to see Aoi in this volume really struggle between being aggressive in her pursuit of love and doing what is right for her crush. When you see the results of her efforts, your heart is going to ache for her.

Yen Press has done a great job with the series. I can happily report that the translation is awesome, and quality of the book is just stellar. The volume contains a few gorgeous, glossy-colored pages and an afterwards from the author. While I can't wait for the next volume, there's definitely more than enough content here that will tide me over before September's release.

0 of 0 people found the following review helpful.
Always a delight
By Jude
~4/5

I love how realistic this series is. It’s mature, in the way that it handles first love, and the way they’re mature characters, while insecure. The way the characters look at each other, their feelings develop, is subtle and slow, but at a steady, realistic pace.

Kanata and Kazuki have a fight, without meaning to or understanding how it happened. They try keeping up their good faces in front of their classmates. And then they make up, and it’s shy and sweet. They go out together, try to do things to impress each other. Kanata tries lip gloss, and wants Kazuki to notice.

Then there’s Nagai, who tends to show anger when he gets attention. I know some people will be uncomfortable with his developing relationship with their teacher, but I’m not. Maybe I should be, given I’m not sure how far apart in age they all are. But I kind of like how she teases him, pushes him. And how, in return, he’s starting to get to her.

And Shiki. I cannot express how pleased I am this series has straight couples (potential ones), and a gay character. I love it! She’s in love with Kanata, and I enjoy the way she thinks in third-person. She gets little chapters of thoughts, showing her feelings and growing friendship with Kanata, as well as her jealousy of Kazuki. I’m so impressed with this.

Then we got peaks of new characters at the end of the volume. I don’t know if we’ll see more of them, but I love the glimpses we get of other characters. Just little thoughts from main and side characters in snipets, the subtly showing worlds of thought and growth and work.

I love this series already. I’m wildly impressed with the development and thought and complexity. I can’t wait for the next one, every time.

[More of my reviews are available on my blog, Geeky Reading, to which there's a link on my profile.]

0 of 0 people found the following review helpful.
Adorable couple
By Deshadrian D. Campbell
I love the innocence these two share when they are together and apart. It reminds me of how much we go through as adolescents when we start to recognize ourselves and those around us. Not only are these two dealing with this, but they have to deal with the feelings of blooming love as well. Seeing them move from one step at a time is just too sweet for words.

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