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Two neuroscience experts explain how their 4-Step Method can help break destructive thoughts and actions and change bad habits for good.

A leading neuroplasticity researcher and the coauthor of the groundbreaking books Brain Lock and The Mind and the Brain, Jeffrey M. Schwartz has spent his career studying the structure and neuronal firing patterns of the human brain. He pioneered the first mindfulness-based treatment program for people suffering from OCD, teaching patients how to achieve long-term relief from their compulsions.

For the past six years, Schwartz has worked with psychiatrist Rebecca Gladding to refine a program that successfully explains how the brain works and why we often feel besieged by bad brain wiring. Just like with the compulsions of OCD patients, they discovered that bad habits, social anxieties, self-deprecating thoughts, and compulsive overindulgence are all rooted in overactive brain circuits. The key to making life changes that you want-to make your brain work for you-is to consciously choose to "starve" these circuits of focused attention, thereby decreasing their influence and strength.

As evidenced by the huge success of Schwartz's previous books, as well as Daniel Amen's Change Your Brain, Change Your Life, and Norman Doidge's The Brain That Changes Itself, there is a large audience interested in harnessing the brain's untapped potential, yearning for a step-by-step, scientifically grounded and clinically proven approach. In fact, readers of Brain Lock wrote to the authors in record numbers asking for such a book. In You Are Not Your Brain, Schwartz and Gladding carefully outline their program, showing readers how to identify negative brain impulses, channel them through the power of focused attention, and ultimately lead more fulfilling and empowered lives.

• Sales Rank: #234395 in Books
• Brand: Avery
• Published on: 2011-06-09
• Released on: 2011-06-09
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.20" w x 6.38" l, 1.29 pounds
• Binding: Hardcover
• 384 pages

Features

• Used Book in Good Condition

Review
For a more detailed description of the book's contents, read this reader's review on her website (we do not know her) :
alwayswellwithin.com/2011/06/13/you-are-not-your-brain-book-review-and-giveaway/ --Reader Sandra Pawula

“A testament to mind over brain ... It's the truth of the matter that sheer willpower can truly make you break free.”
—Leonardo DiCaprio

“Operating on the highly rational perspective that we are not our brains, but rather, substantial free agents who exercise control over our brains, Schwartz and Gladding develop a simple, yet profoundly insightful approach for developing a flourishing life.  The result is truly life-giving, and it will bring healing and hope to all who read it and practice its wisdom.”
—J.P. Moreland, author of The God Question

"How can the brain, which is just a complex network of interconnected nerve cells, give rise to consciousness and to thought? Dr. Jeffrey Schwartz and Dr. Rebecca Gladding argue, persuasively, that the mind actually has massive causal effects on the functioning of the brain. In other words, you can not only change the way you think, feel and behave through conscious effort when you're upset, but you can also change the programming and chemistry of your brain. A compelling and important message."
—David Burns, M.D., author of Feeling Good: The New Mood Therapy

“The idea that we can deliberately and systematically change our brains with our minds was once thought ridiculous.  But now, largely due to Jeffrey Schwartz and his UCLA research on neuro-plasticity and OCD, this once revolutionary idea is well accepted.  Rebecca Gladding and Jeffrey Schwartz adapt Schwartz’s extraordinarily successful program for a mainstream audience giving simple, self-directed tools to help achieve greater happiness, emotional balance, and overall well-being.”
—Susan Kaiser Greenland, author of The Mindful Child

From the Back Cover
Advance Reviews
"Operating on the highly rational perspective that we are not our brains, but rather, substantial free agents who exercise control over our brains, Schwartz and Gladding develop a simple, yet profoundly insightful approach for developing a flourishing life.  The result will bring healing and hope to all who read it."
--J. P. Moreland, author of The God Question.

"This book will be very helpful to those who want to improve their outlook and quality of life.  As this book shows, and most every musician knows, You Are Not Your Brain. The Heart and the Spirit are the source of real creativity. The brain is a vehicle to express that creativity."
--Kenny Burrell, National Endowment for the Arts Jazz Master and Professor of Music and Ethnomusicology, UCLA

"Dr. Jeffrey Schwartz and Dr. Rebecca Gladding argue, persuasively, that the mind actually has massive causal effects on the functioning of the brain. In other words, you can not only change the way you think, feel and behave through conscious effort when you're upset, but you can also change the programming and chemistry of your brain. A compelling and important message."
--David Burns, M.D., author of Feeling Good: The New Mood Therapy

"Largely due to Jeffrey Schwartz and his UCLA research on neuro-plasticity and OCD treatment, the once revolutionary idea that we can systematically change our brains with our minds is now well accepted.  Gladding and Schwartz adapt that program for a mainstream audience giving simple, self-directed tools to help achieve greater happiness, emotional balance, and overall well-being."
--Susan Kaiser Greenland, author of The Mindful Child

About the Author
Jeffrey M. Schwartz, M.D., is a research psychiatrist at UCLA School of Medicine and a seminal thinker and researcher in the field of self-directed neuroplasticity. He lives in Los Angeles.Rebecca Gladding, M.D., is a psychiatrist specializing in anxiety and depression. She recently was Medical Director of the UCLA Adult Inpatient Eating Disorders Program. She lives in Los Angeles.

Most helpful customer reviews

163 of 169 people found the following review helpful.
Powerful Books Shows How-to Self-Direct Your Life
By Don
"Habitually dismissing and devaluing your true emotions and needs causes your brain to adopt unhealthy responses and to strongly discount much of the positive information about you that is coming in." -- Jeff Schwartz, MD, and Rebecca Gladding, MD

I was well aware for some months that Jeffrey Schwartz's new book (co-authored with Rebecca Gladding) was coming out. When I saw the package from amazon.com on my front porch last week, I quickly opened it. The reward circuit in my brain got activated as I held the hardcover book with bright yellow lettering that told me: YOU ARE NOT YOUR BRAIN!

Jeffrey Schwartz is a pioneer in the field of self-directed neuroplasticity, and his work with Obsessive Compulsive Disorder (as described in his book BRAIN LOCK) is highly regarded and used in clinics around the world. In this new book, Schwartz and Gladding have refined the 4-step method used in "Brain Lock" as well as expanded the scope of how it can be applied to lifestyle habits, addictions, and unhealthy thinking.

The 4-Step process is based on mindfulness. I found their revised process very clear and easy to grasp--and it can easily be used personally or by counselors, psychologists, and others to be shared with clients as a form of treatment. The 4-Step process includes 1) Relabeling (noticing thoughts), 2) Reframing (naming the brain's deceptive thought pattern to change your relationship to the thought), 3) Refocusing (placing awareness elsewhere), and 4) Revaluing (aligning with one's deeper values, or true self).

The book is a treasure trove of real-life case studies that demonstrate how Schwartz and Gladding used the 4-Step mindfulness process--and show how anyone can rewire their brain in this way. This is a step-by-step book that includes examples of charts and journaling methods that can help anyone track their movement toward wellness, clarity and purpose.

I highly recommend this book. It shows how to put the power of focus to work in a way that can change lives for the better. Thank you Jeff and Rebecca for sharing with all of us this very valuable and life transforming information!

13 of 13 people found the following review helpful.
Highly recommended in particular for anyone in recovery from PTSD and negative childhood messages
By Betty
While the authors don't specifically mention PTSD in this wonderful book it has been hugely helpful for me in understanding what is going on in my brain with the symptoms of PTSD from childhood trauma, and I would highly recommend it to anyone in recovery from post traumatic stress.

The understandings from this book have enabled me to rapidly see when my brain is sending messages that simply are not true in terms of my objective reality, and makes it much easier for me to redirect my attention to something that calms me down. I'm a long term meditator so do have a baseline level of mindfulness that folks new to the practice wouldn't have, but this book has taken my practice to a whole new level as I'm far less likely to be sucked into the unhelpful messages from my brain now that I really understand what's going on in there. It is so liberating to be able, for example, to be exposed to smells that in the past resulted in my brain going ballistic, without no more than the slightest hint of fear now. It is also incredibly liberating to be able to rapidly let my brain know that there is nothing to fear in situations that in the past I was seriously hijacked by the messages coming from my brain, and fear escalated rapidly to the point of me actually losing sight of the fact that my objective reality was totally safe in the moment.

Another benefit I've had from working with this book is that I am much less likely to be tipped out of my grounding when working with methods such as Wholebody Focusing to heal trauma. Where in the past I would have struggled to stay with intense emotions arising when working on my own because my brain was sending "there is something wrong" messages at a huge rate of knots, I can now rapidly tap into the understandings from this book and know that my "Uh Oh Centre" is sending false messages and I can bring my "Assessment Centre" (as the authors helpfully label different areas of the brain) online to calm things down, enabling me to stay with what is arising, which in turn enables my brain to process unresolved emotions from the past. This is powerful stuff.

The authors really made it clear that neuroplasticity (the brain's ability to change) is happening all the time, no matter what choices we are making. Each time we repeat an unskilful behaviour we thicken the associated neural networks. So the key is self-directed neuroplasticity, and that's what I've been seeing in abundance in my life since starting to work with this book. The authors stress that it's hard work to keep doing their four step process over and over but well worth it. I've found that the process can be expedited much more rapidly in many cases by combining the author's understanding with a self-help method known as EFT or Tapping (which in my opinion is one of the most powerful tools out there these days for tapping into self-directed neuroplasticity). I've seen rapid change in issues that have been stuck for a long time in my life through combining the learnings from this wonderful book with the EFT method.

I very much appreciate the authors having put this information into such a readable and useable format. This has been a life changing book for me and this review is being posted with a lot of appreciation for the powerful information it contains.

Update: While I learnt lots from this book, there has been a book published since which goes much more into the PTSD side and explains more about what this author calls "defective brain messages". I highly recommend the newer book "Sensorimotor Psychotherapy: Interventions for Trauma and Attachment" instead of this book now, for anyone with PTSD. It goes much further into the neuroscience behind PTSD, and explaining why we react the way we do; and has a much wider range of interventions than this book.

18 of 18 people found the following review helpful.
This book changed my life!!! BUY IT!!
By Joana
I stumbled upon this book on a forum for depression/anxiety and mental stress. Somebody there recommended it so I looked it up online , read about it and decided that for $ 12 I should give it a try. THE BEST BOOK I HAVE EVER READ!!! If you suffer from any mental/emotional problems( like most people) please get this book.
I have read a lot of other books, about mindfulness alone or other books about anxiety/depression using mostly scientific explanations but none like this book. This book combines the useful tools of mindfulness , the psychology of human mind, the best most updated results of neuroplasticity that our today's technology has to offer.
I am sure most people had read books on this subject before but trust me, NONE like this one.
Dr. Jeffrey Schwarts is amazing. His book is so well written, simple to follow ,easy to understand and had lots of exercises and explanations.
This book really saved me. I am in a happy healthy marriage, with a wonderful husband, a great kid, a dog and a cat, living decently BUT I WAS NOT HAPPY ...and did not know why, so I drove myself crazy and allowed myself to drawn even deeper in the deceptive thoughts pool....

Please buy this book and stop blaming yourself or others if you are not who you want to be or where you want to be in life. I have cried numerous times while reading the book as I found myself in there.
The fact that they are using real people's dramatic stories makes it so much personal, nobody wants to feel that they are alone in feeling like this. It also shows what those people have to do, how and thoughts and advise from them to all of us who are trying to help ourselves.
I would recommend this book to anybody I know.

Thank you!

UPDATE: 10/16/2013
My above review still stand but I have something really important to add. After more turmoil and blood work I found out I have low levels of magnesium, iron , vit B12 and vit D. I started the supplements a few days ago and guess what?? I AM NORMAL AGAIN. I FEEL BETTER THEN EVER, I AM A NEW PERSON AND ALL THANKS TO MAGNESIUM AND IRON AND VITAMINS.... NO ANXIETY/PANIC/DEPRESSION/DISTURBANCES OF ANY KIND. I EVEN TRIED TO THINK OF SOMETHING THAT USUALLY MAKE ME ANXIOUS AND I JUST CAN'T GET ANXIOUS EVEN IF I WANT TO....AMAZING. I WANTED TO SHARE IT WITH EVERYBODY , I AM MAKING IT MY MISSION TO SPREAD THE WORD TO EVERYBODY THAT SUFFERS...PLEASE LOOK INTO IT!!!!!THANK YOU

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[P129.Ebook] Download PDF The Skillful Huntsman: Visual Development of a Grimm Tale at Art Center College of Design, by Khang Le, Mike Yamada, Felix Yoon

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This version of 'The Skillful Huntsman' is a documentation of the creative thought process in designing for entertainment through the work of three talented artists. Guided by their instructor, the artists create original design solutions for the environment, characters, props and much more.

• Sales Rank: #54374 in Books
• Brand: Brand: Design Studio Press
• Published on: 2005-05-01
• Original language: English
• Number of items: 1
• Dimensions: 9.98" h x .49" w x 10.01" l, 1.91 pounds
• Binding: Paperback
• 160 pages

Features

• Used Book in Good Condition

About the Author
KHANG LE
Khang Le was born in Saigon, Vietnam in 1981. When he was ten, his family moved to Los Angeles, California, and Le immersed himself in the world of comic books. During high school, a friend introduced him to the Art Center College of Design in Pasadena. At the same time, The Art of Star Wars, Episode I: The Phantom Menace came out, and making a living as a concept artist for the entertainment industry become Le's aspiration. In 2000, he got accepted to Art Center, where he had the opportunity to refine his skills to freelance for various entertainment mediums, including games, movies, music videos, and publishing. He has recently graduated and is currently traveling the world and considering all of his professional options.

FELIX YOON
Felix Yoon was born in Pennsylvania in 1982, where he spent his childhood, and later relocated to South Korea. He moved to California as he entered high school. It wasn't until senior year when Yoon decided to take art seriously as a possible occupation. After high school he entered Art Center College of Design, where he graduated with honors with a BFA in illustration. He started working as a concept artist for video games and now works as a visual development artist at DreamWorks Animation.

MIKE YAMADA
Michael Yamada was born and raised in Pasadena, California. Originally intending to be a graphic designer, Yamada attended a local community college and changed his course of study after discovering a book of Star Wars production art. He transferred to Art Center College of Design where in 2003 he graduated with honors with a BS degree in product design with a emphasis on entertainment design. He has spent the year after his graduation employed as a visual development artist at DreamWorks Animation, and working on a variety of freelance projects. He also teaches at Otis College of Art and Design.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Inspiration for my senior project
By Rachel Kimberly
I love this book because
(a) it depicts a fantastic journey of imagination and artistic exploration,
(b) it has a sense of adventure about it,
(c) these young artists show such mind-blowing talent in the pages of this book,
(d) and it inspired me to tackle my own concept art project while I'm still in college.

As I go through my own creative process, I've often found myself referring to this book to see how they tackle the various challenges of designing unique and compelling characters, environments, and props. The commentary they make on each step of the process is just as valuable as their sketches and finished paintings because it gives insight into their mindset as they encountered problems along the way, and how they creatively overcame them. Highly recommended to all students of concept art.

0 of 0 people found the following review helpful.
Absolutely Wonderful.
By Fallon
Absolutely gorgeous and wonderful, the book is a fantastic addition to any library. Being a fan of concept art and Grimm tales, I was stoked to get my hands on it, and once I'd seen it in a teacher's collection--I absolutely had to own it myself.

It came quickly and in wonderful condition, and the art inside was just as beautiful as I had remembered! I was more than happy to put it on my bookshelf.

2 of 2 people found the following review helpful.
Beautiful, Imaginative, Inspirational
By T. Bell
I bought this book originally because it sounded interesting: three artists conceptualizing the same fairytale. What I got was a book FILLED with sketches (which I love, as an artist myself). These three gentlemen walk us through their creative process visually, so you can see how blocking out character shapes turns into detailed character design with color, attitude, and even some humor. I flip through this book regularly (have had it now for two years), and I'll see a headdress here, a sword there, a detail on a gown, and it gives me new ideas for my own characters.

Of the MANY books that claim to be concept art, The Skillful Huntsman is, by far, the best I've found. Love love love.

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From the early passions of the Latin lover of the silver screen' to the adventures of modern day keroes such as Antonio Banderas, Hispanics in Hollywood is an illuminating voyage into the careers and contributions of some of film history's most legendary performers.

• Sales Rank: #2523193 in Books
• Published on: 2000-10
• Released on: 2000-10-01
• Original language: English
• Number of items: 1
• Dimensions: 10.14" h x 1.28" w x 8.00" l,
• Binding: Paperback
• 550 pages

From Library Journal
This large-format one-volume encyclopedia covers popular Hollywood films (chiefly those of the sound era) and television programs featuring Hispanic actors or addressing Hispanic themes. The work is divided into two main sections, plot summaries and biographies, with a good index that leads to information on people and films not listed separately in the main sections. Though covering much of the material included in George Hadley-Garcia's Hispanic Hollywood (Carol Pub. Group, 1990), this new work is much better suited for reference use. Many handsome black-and-white stills from film publicist Reyes's personal collection will provide hours of entertaining browsing. A drawback is the lack of attention to correctly written Spanish; for names of actors known primarily for Spanish-language films and particularly in citing titles of Spanish-language films, accents marks are generally left out (e.g., Luis Bunuel instead of Luis Bun~uel). At least the authors are consistent in ignoring correct usage. Recommended for larger film collections and for libraries with a need for popular material on Hispanic films.
James E. Ross, Seattle P.L.
Copyright 1995 Reed Business Information, Inc.

From Booklist
Although Hispanic Americans have been involved in many aspects of the American film industry, there has been little note taken of this fact in standard film-reference works. In addition to the biographical sketches and descriptions of films and television programs that make up the bulk of this work, there are also essays on the role of the Hispanic American in American film and television. The book begins with an essay on movies, followed by alphabeticallly arranged entries on films that had a Hispanic character, setting, or subject or in which a Hispanic actor starred. Each entry includes producer, director, writer, cast, and a brief summary of the plot. Individuals whose names appear in boldface type are the subject of biographical sketches later in the book. The next section begins with an essay on television followed by entries on individual programs, which include network, cast, and a brief plot summary. Again, boldface type is used to indicate persons who are the subject of biographies. This section is followed by brief essays on Zorro and the Cisco Kid, with complete chronologies of their movie and television incarnations. Finally, there is the biographical section, which lists Hispanic American performers and behind-the-scenes personnel. The authors indicate that they have "also included . . . a number of non-Hispanic individuals who are nevertheless identified in the public mind as Hispanic, on the basis of the roles they played or their Hispanic-sounding names." There is a separate section of "profiles of selected non-Hispanic filmmakers who have contributed substantially to shaping the cinematic image of Hispanic Americans through classic films they made." These include such directors as John Ford and John Huston. An index completes the work; a selected bibliography precedes the front matter.

There are throughout the book black-and-white photographs of very good quality. Studio portraits, movie posters, and stills of many familiar (and some unfamiliar) faces and scenes complement the text. Since there is currently little on this increasingly popular subject, it is recommended for film and Hispanic-culture collections alike.

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18 of 21 people found the following review helpful.
Ethnicities Celebrated
By Book Reviewer
By JONATHAN KIRSCH, Special to The LA Times "...An illuminating and entertaining survey of films and television programs in which Latino actors, settings or themes figure prominently, "Hispanics in Hollywood" is full of such surprises. Anthony Quinn, perhaps best known as Zorba the Greek, is only one of many actors whose Mexican origins were once concealed, and there are many others whose Latino roots have only recently come to public attention, ranging from Rita Hayworth (born Margarita Cansino) to John Gavin (born John Anthony Golenar) to Raquel Welch (born Raquel Tejada). And it was a young Emilio Estevez who boldly reclaimed his own Latino family history and thus revealed to the world that the real name of his father, Charlie Sheen, is Ramon More often Latino actors found themselves in an awkward dilemma in Hollywood, as the authors of "Hispanics in Hollywood" point out--if their Latino identities were not concealed, they were put to use in depicting stereotyped Latino characters: "maids, slum dwellers, drug addicts and gang members," co-author Luis Reyes reminds us, or "cruel dictators, mustachioed bandits and beautiful señoritas." Only in the last couple of decades have Latino actors and directors enjoyed the opportunity to tell stories about their own heritage in a more open, honest and affirming voice in movies such as "Zoot Suit," "La Bamba," "Stand and Deliver," "Selena" and "A Walk in the Clouds." Reyes, a movie publicist who is also a chronicler of Hollywood's Latin American heritage, describes the book as "an attempt to show the way Hollywood has depicted Hispanic Americans and Latin America, while also pointing out the contributions to Hollywood movies and television made by unsung Hispanic Americans as well as those more famous." Thus, his book can be approached as a serious effort to ponder the issues of race and ethnicity in American pop culture and, at the same time, as one of those useful reference works that can be pulled down from the shelf when puzzling over some old and obscure movie on cable.

3 of 3 people found the following review helpful.
Hispanics and The Lack of Representation of "The Other"
By Rochmanna Miller
Bravo Mr. Reyes for such a deeply researched, sensitively written, book blooming with photographs of Hispanics in Hollywood celebrated over 100 years. Indeed, this was needed many years ago, especially in my start as a high school teacher in a predominantly Latino/Latina high school for 28 years. Zoot Suit was culturally affirming for East Los Angeles. The unique style and political statements opened up new worlds of research re Latino/a film. And look at the power of Teatro Campesino, and its earlier form in La Carpa, in making political statements regarding exploitation of the Mexican worker. And now, in your book, we get to look back at the contributions made in earlier times we did not know of, and contemporary times.

The world of prejudice and stereotyping is So complex and being examined now in organizations such as Facing History and Ourselves,and college texts that reveal an array of a variety of cultures in America, especially of the tension between adapting and keeping two cultural worlds within and without.
Alas, there are intracultural prejudices too. Sometimes more established Latinos/as make fun of the recently arrived as wetbacks. In Jewish society, those who were in the US longer than the recently arrived Jews--called them "greenhorns".

I loved so much of this book and have given it five stars. I also liked the preface tremendously. I too had the experience of watching films for content and style, and pausing for the film to permeate me as long as it could. At that time, I was particularly interested in the psychological depth, and the unique style of filming of the unconscious as well as the conscious world in Fellini, Truffaut, Bergman, and many others perhaps forgotten now, and of course Bunuel. I was lucky to see and read "The Boom". "The Boom" exploded with new styles as Mexican and Latin American writers were celebrated for literary, artistic,and cinematic innovations, such as "Magical Realism, that weaves around history and political realities.

Now, I would like to gently approach one line (what writer doesn't have one or many) that troubled me. You mention that "Most" of early Hollywood was controlled by Eastern European Jews.

This is not really true in light of all cultures who contributed to Hollywood's start, and it itself is a stereotype that a number of books are now discussing.

This belief about Jews dominating the film world actually fueled more anti-semitism than already existed severely in this country, where most Jewish immigrants were severely poor. You question why these "predominantly" Jewish promoters did not discuss their own culture. First of all--in diaspora, there were the German Jews who were more assimilated in Germany, and hence probably could have the skills and education denied Jews in Poland and Russia, and alas, Mediterranean Jews were often denied the right (many self taught while enduring backbreaking work only allowed them.)

And yet, they did forge a cultural works such as Yiddish theatre, books, and poetry,in America. They created while working 14 hour jobs and striking in times that treated them far more violently than strikers are treated today.

These people demonstrated for All workers. This paved the way for our own work worlds to have the right to breaks, sick time, health benefits, vacation time, an 8 hour day,and unions to protect those rights. They were joined by other oppressed cultures who worked along side them such as Italians and others, forming a multi-cultural comraderie that is so needed in our world today.

Actually, it is seen that there was much imitation of elitist European culture in early films. American themes came later. And alas--how complicated this was in our forging and reforging this country's identity. America was steeped in anti-semitism (and of course--hatred of all considered "the other". Early German immigrants in America faced disdain.The Irish, when looking for work, saw signs that read "Irish Need Not Apply. Later on, some people of these backgrounds forgot that they were scorned as new immigrants arrived. So you see, so many groups in this country have not had their stories told.

If there was a pitch for a movie about pogroms, it would not have sold--maybe if Errol Flynn flew in to swashbuckle those killing and raping sprees. Or, what would have saved a pitch about a Jewish family headed for a beach where the sign read "No Jews or Dogs allowed"? An exhibition from a few years ago called Degenerate Art (art that Nazi's banned) showed a big nosed and walleted series of series of movie and music producers, for Monkey like looking African-Americans ( inferior to the Nazis also) playing jazz (banned in Nazi Germany).

Actually, true art in film has been noted to have been brought in by German emigre artists both non-Jewish and Jewish, who were not free to do their form of art, especially abstraction, in Nazi Germany. Also, they left a regime they knew was appalling.

Therefore, in the term "most"( re Jews), there needs to be a bit more study. The truth is, if one filmed about life in Mexico, it would be very different in Jalisco and Oaxoca--because the cultures are different. Gabriel Garcia's Columbian world and Carlos Fuentes' world in Mexico would be different. At my school, the Goths and the Rockers live in different universes. Does this read as a bash? No!!!

The book is fantastic and a must read for all cultures! Prejudice of the"other" we do not know needs to be perpetually unbound. And wow--what an incredible array of Latino/a film history. All should grab it as a must read!!

I am so glad, at this time in film, we see Chinese Americans,films from Bombay, Syria, Armenian themes--and many previously unsung cultures in our theaters.We are now seeing the truth told about many atrocities such as the treatment of Native-Americans (here first)--for instance, the smallpox virus placed in American Indian blankets, as a form of genocide. There is knowledge imparted of exploitation of other immagrants--for instance, the shooting of some Chinese American railroad workers for "pay".

As for all the new styles and representations of all cultures (look at this year's (2009) many awards for Slum-dog Millionaire), filmed in India. These are added cultural fabrics, with textures and threads of expression that expand our global awareness.

In this sense, we grow in cultural understanding and the culture of ourselves (I believe each person Is a singular identity of many cultural influences). As long as this review is, I think I could write a book because cultural pride, and intra-cultural love and understanding are so important to me. And Do know I am savoring every page of Hispanics in Hollywood. No one will eat Fritos thinking of The Frito Bandito,or drool over the Tiajuana stereotype of loose women easy to pay for "a moment"! Let's cover those on Hollywood Blvd or all over instead...yes?

Thank God there are no more of those snoozing Mexican sobreros hiding the sleeping Mexican, denoting the Mexican as comical and lazy (and if anyone has one--bash it)!Though I may speak of objects or books not filmed--they were certainly influences.

I must also say that I know Mr. Reyes as eclectic, a wordsmith, an activist, and an educator. When Zoot Suit came out, Mr. Reyes spoke about the field of publicity , while imparting information about the production of Zoot Suit to my the students, who were were given tickets and other fun items. We were all ecstatic with the "prep" for the film!

Our students were also given free tickets to a film called Triumph of the Spirit (not"of the will") the Nazi propaganda film. A number of my students, predominantly Latino, came to see the film about a Greek Jewish boxer survivor in Auschwitz. This is not named in the credits of the films Mr. Reyes has publicized, listed in Hispanics in Hollywood.

I saw my students sobbing while watching Triumph of the Spirit, even some big guys sitting next to me. This is what we want--to break through and feel all of our pains and triumphs in this diverse country.

In your talk at our school, Mr. Reyes said: look at us--all different cultures, colors (class is another issue)-"-Beautiful!" When I also taught at a State College, where I had a real United Nations of students, it was so great that at the end, they spoke of misconceptions of each other at the beginning, and how they changed.

Do know I am celebrating this book as a contribution to Global understanding. I did want Mr. Reyes to know that a single stereotypical line we can All make, can hurt. As one student of mine in a Facing History and Ourselves class said, you can remove a bullet, but you cannot remove a hurtful misunderstanding. And I know you are one who believes in the same thing.

Incidentally, I would really like to see a film about a kid growing up loving film on the upper West Side of New York, who is from Puerto Rico. Plus, I applaud your work in probing Hawaii in film. I loved seeing photos of Robert Louis Stevenson visiting and merging in Hawaiian culture. When I went to a hotel where a lot of stars went, it saddened me to see Queen Liliokalani and family in stiff Victorian attire they felt they had to wear.

I am looking forward to more of your works (and films?). The cinema permeates so much of the psyche, letting us venture into other worlds, and the worlds of others, as both of us experienced in our youth and later.

Oh--just a little bit of history to end you may be interested in. Max Factor, who came from an Orthodox Jewish family in the old world and had made the wigs Jewish married women wore, introduced wigs to Hollywood! Also, he changed the world of the pancake make-up. In fact, he invented the science of make-up that inspired all women to wear it. My students saw the Max Factor Museum that had the red haired room, blonde, brunette, etc.

Guess where his original house is? It is in Boyle Heights (East LA) and inhabited by the parents of some friends of mine. Boyle Heights started out as a Jewish neighborhood--actually you might say "to keep Them with their own." Then came Russians, and Latinos, African Americans, and Japanese (sadly ripped away later by the Japanese interment camps)...and others. The community was mainly very radical. There is a wonderful documentary called Meet Me at Brooklyn and Soto. A woman recalls that the high school I taught in, Roosevelt High, had true cultural harmony--and pride days. In fact, many Jewish families watched over the Japanese homes to make sure there was no hateful pillaging!

As an afterthought regarding Jews not telling their stories, what about the first Talkie, The Jazz Singer with Al Jolson? In it, he is a Cantor's son (singer in synagogue) whose father wants him to follow in his footsteps. But Jolson is torn, because in his character, he wants to be a jazz musician...which he pursues instead. This was filmed at the largest and probably most exquisite Jewish temple in Boyle Heights, now (or the last time I saw it) full of pigeons and Graffiti. So, there you go re Jewish themes in film. (Just look away when you see Jolson's "blackface" make-up as he sings "Mammy"). Once again--here is the tension and triumph all of us face in our multi-cultural country and world. Rochmanna Miller

0 of 0 people found the following review helpful.
Outstanding, Entertaining Reference Book
By Amazon Customer
My copy of this invaluable book is dog-eared and so covered in sticky-notes it looks like it has feathers. Anyone interested in the history of Latinos in Hollywood should own this book. It is thoroughly researched and packed with little known facts, wonderful information and photos. Sadly, it is out of print. "Hispanics in Hollywood" should be reprinted and revised to include the approximately twenty years of notable Hispanics who have impacted the entertainment industry since its publication.
Jan Pippins,author
"Henry Darrow:Lightning in the Bottle"

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• Sales Rank: #4882813 in Books
• Published on: 1994-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 5.50" w x .50" l,
• Binding: Paperback
• 240 pages

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The rehabilitation of patients with disabilities of the head and neck secondary to acquired and congenital defects continues to be a challenge. Today it is possible to restore most patients to nearly normal form and function, enabling them to lead useful and productive lives. However, successful outcomes require close interaction among many health care disciplines. Given the recent advances in maxillofacial prosthetics and reconstructive surgery, the pace of change in the rehabilitation of oral and facial defects has been far too slow. For example, free tissue transfers have been used throughout the world for the last 20 years to restore bony defects of the mandible, but far too many surgeons fail to understand that it is equally important to restore the bulk and contour of the tongue if the oral functions of speech, mastication, and control of saliva are to be restored. This updated edition with an emphasis on a truly multidisciplinary approach provides the reader with insights into the latest developments in maxillofacial prosthetics, reconstructive surgery, and dental care. New chapters present information on digital technology and tissue engineering, and all chapters have undergone significant revision, reflecting the advances in the use of osseointegrated implants and free vascularized flaps. The reader will take away practical knowledge of state-of-the art treatment approaches to ensure that patients of the future will no longer assert that the cure was worse than the disease. Contents
1. Oral Management of Patients Treated with Radiation Therapy and/or Chemoradiation J. Beumer III, E. Sung, R. Kagan, K. Lyons, H. Gulbransen, B. Venkatachalam, N. Ghaem-Maghami
2. Rehabilitation of Tongue and Mandibular Defects J. Beumer III, M. Marunick, S. Silverman Jr, N. Garrett, J. Rieger, E. Abemayor, R. Penn, V. Nabili, R. Rezaee, D. Curtis, A. Hannam, R. Nelson, E. Roumanas, E. Freymiller, B. Markowitz
3. Rehabilitation of Maxillary Defects J. Beumer III, M. Marunick, N. Garrett, D. Rohner, H. Reintsema, E. Abemayor, R. Penn, V. Nabili, P. Bucher
4. Rehabilitation of Soft Palate Defects S. Esposito, J. Rieger, J. Beumer III
5. Rehabilitation of Facial Defects J. Beumer III, D. Reisberg, M. Marunick, J. Powers, S. Kiat-amnuay, R. van Oort, Y. Zhao, G. Wu, L. Eversole, H. Cherrick, E. Roumanas, D. Pedroche, T. Baba, J. de Cubber, P. Moy, W. Noorda, G. van Dijk
6. Rehabilitation of Cleft Lip and Palate and Other Craniofacial Anomalies A. Sharma, T. Chang, L. Brecht, L. Kaban, K. Vergervik
7. Digital Technology in Maxillofacial Rehabilitation J. Wolfaardt, B. King, R. Bibb, H. Verdonck, J. de Cubber, C. Sensen, J. Soh
8. Tissue Engineering of Maxillofacial Tissues M. Lee, B. Wu
9. Psychosocial Perspectives on the Care of Head and Neck Cancer Patients D. Rapkin, N. Garrett
10. Oral Management of Chemotherapy Patients E. Chung, E. Sung

• Sales Rank: #233417 in Books
• Published on: 2011-09-12
• Original language: English
• Number of items: 1
• Dimensions: 11.20" h x 1.20" w x 8.80" l, 3.92 pounds
• Binding: Hardcover
• 468 pages

Review
This is a very good comprehensive text to have as a reference and has many excellent contributions from many well-known authors. The text can serve any dentist who might see a patient who has had or will have treatment with chemotherapy and radiation therapy and/or has a maxillary or mandibular defect that requires restoration and maintenance. --Robert Schneider, DDS, MS, FACP, - Special Care in Dentistry, May/June 2012

This is a beautifully constructed textbook from start to finish which presents a range of techniques in an accessible and informative manner. A valuable source of referral for anyone involved in maxillofacial rehabilitation, it certainly helps somewhat to diffuse the infamous phrase "the cure was worse than the disease". --D. Brierley, - British Dental Journal, April 2012

This is one of the rare textbooks that I think should be used in the part of the formal educational curriculum (predoctoral, postdoctoral, and continuing) on the dental and surgical management of maxillofacial defects, particularly the section on the irradiated oncology patient. The book is of sufficient importance that readers should be willing to purchase a personal copy, and it should certainly be present in all dental and medical libraries. --Michael D. Turner, DDS, MD, FACS, - Journal of Dental Education, June 2012

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very well written and timely
By Mary T. Dooley
This book has enough detail for a "beginner" in maxillofacial to be able to perform the prosthodontics procedures. Have not read the whole book yet, but a search of the internet revealed that a current text on this subject was sorely needed. I have met the author many years in a course and am pleased that he took the time to write this.

0 of 0 people found the following review helpful.
Five Stars
By Lei Jin
good book！

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[U112.Ebook] Get Free Ebook American Popular Music, by David Lee Joyner

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This text provides an overview of the four major areas of American contemporary music: jazz, rock, country, and musical theater. Each genre is approached chronologically with the emphasis on the socio-cultural aspects of the music. Readers will appreciate Joyner's engaging writing style and come away with the fundamental skills needed to listen critically to a variety of popular music styles.

• Sales Rank: #1846122 in Books
• Published on: 2002-04-29
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x .79" w x 7.90" l, 1.39 pounds
• Binding: Paperback
• 352 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Highly opinionated and superficial
By Mark Asch
Blah. Joyner uses the preface to justify the book's obvious shortcomings: "It is comparatively economical in price and size. That's the reason for it's length, the lack of companion CDs, lyrics, and color photographs. Paper, copyright permissions, and color printing cost a lot of money." So be aware, this is a low-budget item in various respects. It's just barely substantial enough for a school to get away with telling parents and the district BoE that the subject was taught. If you want something that does more than scratch the surface, or provides more than the absolute minimum of textbook production value, look elsewhere. The British Invasion deserves more than 9 pages plus a couple of song analyses.

One might think that, given the apparent importance of brevity, Mr. Joyner would skew the ratio of fact and opinion more in the direction of fact, particularly when some of the opinions he expresses are utterly misguided. To wit: "Stadium rock continued through the 1980s with bands such as Styx, Rush, Boston, Kansas, and Heart. The music of these bands was inherently formulaic and corporate and would lead to major underground rebellions along the way with musical styles such as disco, punk, and grunge."

Rush's music is formulaic and corporate? Disco was a rebellion against bands like Styx or Kansas? Such assertions throw every other opinion in the text into doubt. Also, the famous 3-song Yes album is titled "Close To The Edge", not "Closer To The Edge". Let's call that one a typo, but speaking of that band, it's a strange editorial decision to make the heading of the section about them "Rick Wakeman and Yes". Why put it that way? Rick's a legend, but to suggest that he was the primary source of Yes's prog sound is a real stretch. "Roundabout", which is arguably the band's most popular classic progressive rock song, features some great playing by Wakeman, but it was composed by Jon Anderson and Steve Howe. Many of Yes's records don't even feature Wakeman as a band member, and his solo efforts made far less of a contribution to the progressive rock genre than the band that made him famous, let alone King Crimson, Pink Floyd, Genesis, etc.

The edition I have is called the "Jersey City Edition" but in the section about jazz-rock fusion there is no mention of one of the absolute founding fathers of the genre, guitarist Al DiMeola, who is from Jersey City. Also unseen in the text is PM Dawn, a couple of Jersey City boys whose contribution to hip-hop is worth at least a sentence or two.

The writing is decent. The artists and styles that are mentioned are certainly essential. But I have reservations about recommending this book for classroom use, and certainly not for personal education.

4 of 4 people found the following review helpful.
in response to the 1st review:
By robots
This book does not look bad at all. It seems to provide a more or less thorough history of american popular music. It is organized and would be a good study guide. The first edition came out in 1993, so all or most of the information in this volume cannot have just been ripped off the web.

2 of 2 people found the following review helpful.
American Popular Music
By R. Thomas
The Joyner book an excellent survey of popular music. I chose it for a college general survey course on popular music I taught in Sping 10--it was a great class and the students reacted well to the book. Joyner treats each genre of popular music in a chronological manner, showing their development and influence on each another. The section on courtry music is especially interesting. ITunes links are provided to songs covered in the text. A number of the ITunes links are not the same arrangements discussed in the text, but they are easy enough to track down. I give this book a high recommendation, especially to anyone looking for a general overview of American popular music.

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[Z808.Ebook] Ebook Download A New Handbook of Literary Terms, by David Mikics

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A New Handbook of Literary Terms offers a lively, informative guide to words and concepts that every student of literature needs to know. Mikics’s definitions are essayistic, witty, learned, and always a pleasure to read. They sketch the derivation and history of each term, including especially lucid explanations of verse forms and providing a firm sense of literary periods and movements from classicism to postmodernism. The Handbook also supplies a helpful map to the intricate and at times confusing terrain of literary theory at the beginning of the twenty-first century: the author has designated a series of terms, from New Criticism to queer theory, that serves as a concise but thorough introduction to recent developments in literary study.

Mikics’s Handbook is ideal for classroom use at all levels, from freshman to graduate. Instructors can assign individual entries, many of which are well-shaped essays in their own right. Useful bibliographical suggestions are given at the end of most entries. The Handbook’s enjoyable style and thoughtful perspective will encourage students to browse and learn more. Every reader of literature will want to own this compact, delightfully written guide.

• Sales Rank: #1146655 in Books
• Published on: 2010-02-23
• Original language: English
• Number of items: 1
• Dimensions: .92" h x 6.10" w x 9.28" l, .91 pounds
• Binding: Paperback
• 368 pages

From Booklist
Author Mikics stakes a claim in what he acknowledges is a crowded field with this collection of literary terms that are "crucial for students to know." Entries cover forms, genres, movements, periods, and theories, among other topics. Especially useful are the bibliographical examples and suggestions contained in most entries. For instance, Gothic refers to examples ranging from Horace Walpole's Castle of Otranto to the movie Psycho and the television series Buffy the Vampire Slayer in addition to several important critical works on the genre. Emphasis is on the European tradition. Quinn, Mary Ellen

Review
"It is aimed at a spread of abilities, and manages to be all things to all readers.  I found it good to read—as enjoyable as any theoretical manuscript I've read.”—Alastair Fowler, University of Edinburgh 
(Alastair Fowler)

"A very learned and refreshingly lively handbook."—Ian Balfour, York University 
(Ian Balfour)

"Very few books give much more than they promise. Mikics's New Handbook is superbly generous in offering vast stores of insight and information. It is an exuberant introduction to all of Western literature and criticism."—Harold Bloom  (Harold Bloom)

About the Author
David Mikics is professor of English at the University of Houston. He is the author of several books, including Who Was Jacques Derrida?, The Limits of Moralizing, and The Romance of Individualism in Emerson and Nietzsche. He lives in Houston.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Well researched, well though out.
By Liberal viewer1
As a professor of comparative literature, I own several books dealing with this very issue. When I got my Kindle, I said: "oh, what the Hell? Let's give this one a try". I am glad I bought it. It is very well researched, informative, well written and witty. It is clear a labour of love. A very good option for any lit student.

0 of 0 people found the following review helpful.
Accessible to all scholars
By IndMind
Easily accessible definitions organized in a way that any graduate student or any lover of literature can use it to gain insight, wherever they are in their study of literature.

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