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Calculating God, by Robert J. Sawyer

An alien shuttle craft lands outside the Royal Ontario Museum in Toronto. A six-legged, two-armed alien emerges and says, in perfect English, "Take me to a paleontologist."

In the distant past, Earth, the alien's home planet, and the home planet of another alien species, all experienced the same five cataclysmic events at the same time (one example: the meteor that wiped out the dinosaurs). Both alien races believe this proves the existence of God: i.e., he's obviously been playing with the evolution of life on each of these planets. From this provocative launch point, Sawyer tells a fast-paced, morally and intellectually challenging story of ambitious scope and touching humanity. Calculating God is SF on a grand scale.
Calculating God is a 2001 Hugo Award Nominee for Best Novel.

  • Sales Rank: #165809 in Books
  • Brand: Sawyer, Robert J.
  • Published on: 2009-03-03
  • Released on: 2009-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x .93" w x 5.49" l, .66 pounds
  • Binding: Paperback
  • 336 pages

Amazon.com Review
Creationists rarely find sympathy in the ranks of science fiction authors--or fans, for that matter. And while Robert J. Sawyer doesn't exactly make peace with evangelicals on the issue, Calculating God has to be one of the more thoughtful and sympathetic SF portrayals you'll find of religion and intelligent design. But that should come as no surprise from this crafty Canadian: in the Nebula Award-winning Terminal Experiment, Sawyer speculated on what would happen if hard evidence were ever found for the human soul; in Calculating God, he turns science on its head again when earth is invaded by theists from outer space.

The book starts out like the setup for some punny science fiction joke: An alien walks into a museum and asks if he can see a paleontologist. But the arachnid ET hasn't come aboard a rowboat with the Pope and Stephen Hawking (although His Holiness does request an audience later). Landing at the Royal Ontario Museum in Toronto, the spacefarer (named Hollus) asks to compare notes on mass extinctions with resident dino-scientist Thomas Jericho. A shocked Jericho finds that not only does life exist on other planets, but that every civilization in the galaxy has experienced extinction events at precisely the same time. Armed with that disconcerting information (and a little help from a grand unifying theory), the alien informs Jericho, almost dismissively, that "the primary goal of modern science is to discover why God has behaved as he has and to determine his methods."

Inventive, fast-paced, and alternately funny and touching, Calculating God sneaks in a well-researched survey of evolution science, exobiology, and philosophy amidst the banter between Hollus and Jericho. But the book also proves to be very moving and character-driven SF, as Jericho--in the face of Hollus's convincing arguments--grapples with his own bitter reasons for not believing in God. --Paul Hughes

From Publishers Weekly
Sawyer (Flashforward; Factoring Humanity), a Canadian, is one of contemporary SF's most consistent performers. His new novel concerns the appearance at the Royal Ontario Museum in Toronto of a spiderlike alien paleontologist named Hollus. The alien has come to Earth to study the five great extinction events that have hit our planet over the eons, the best known being the asteroid collision that wiped out the dinosaurs. When the museum's head paleontologist, Tom Jericho, consults with the alien, he is shocked to discover that Hollus has proof that her own planet and that of another alien race suffered a similar series of five catastrophic events at virtually the same times as Earth did. More surprising still to a 21st-century disciple of Darwin like Jericho, both alien races see this synchronicity, along with other scientific evidence, as proof of the existence of God. Much of the novel is relatively cerebral, as Jericho and Hollus argue over the scientific data they've gathered in support of God's existence, but Sawyer excels at developing both protagonists into full-fledged characters, and he adds tension to his story in several ways: Jericho has terminal cancer, which gives him a personal stake in discovering the truth of the alien's claims, and lurking in the background are a murderous pair of abortion clinic bombers who have decided that the museum's Burgess Shale exhibition is an abomination that must be destroyed. Finally, there's the spectacular, if not entirely prepared for, climax in which God manifests in an unexpected manner. This is unusually thoughtful SF. (June) FYI: Sawyer's The Terminal Experiment won the 1995 Nebula Award for Best Novel.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Diagnosed with lung cancer, paleontologist Thomas Jericho expects to die within the year. What he doesn't expect is the appearance of a spiderlike alien in his museum seeking confirmation from Earth's prehistoric past of the existence of God. The author of Factoring Humanity once again demonstrates his wild talent for innovative, iconoclastic storytelling as he relates a thought-provoking, sobering, yet wryly compassionate tale of one man's discovery of timelessness even as his own time is running out. A good choice for most sf collections.
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

59 of 68 people found the following review helpful.
Fascinating speculations, very sympathetic main character
By B Singh
CALCULATING GOD is a terrific book. Sawyer's research is wonderful and far reaching. He has clearly gone beyond just popular science sources. The main character's struggle with cancer is the perfect subplot, for one does wonder how such injustice can exist. All Sawyer's characters come off well, alien or otherwise. I thought at first that the two fundamentalists were going to be given an unfair treatment, but they were seen being very competent at what they set out to do. And, as a Sikh, I must applaud Sawyer's use of a Sikh character in a nonstereotypical role. Very well done! I enjoyed the aliens very much, from the affable Hollus to the almost incomprehensible Wreeds. I do not know the Royal Ontario Museum, where Sawyer sets his book, but I do know the politics of other museums and what he writes has the ring of real truth about it. A fresh and welcome contrast to the ridiculous portrayal of how a museum really works in for instance THE RELIC by Preston Child. CALCULATING GOD should be enjoyed by science fiction readers (I loved it) and by those who don't read sf (my wife loved it as well).

60 of 78 people found the following review helpful.
I was promised an interesting story, I was given a cheap sermon
By Eneasz M. Brodski
This book is basically two characters talking about whether or not God exists for a few hundred pages. Unfortunately it's done extremely poorly.

The smarter character, the alien, basically recites standard apologetics for the existence of a deistic god. If you ever spent a few hours on the internet you've already heard them all. Fine-tuning argument, irreducible complexity, etc. They are presented as tested and correct by the alien's more advanced science. The author is also apparently unaware of the standard atheistic replies, displaying that he never bothered researching past the point where he could comfortably declare his own theological views justified.

The dumber character, the human, is supposed to be an atheist. He is, at best, a straw-man atheist and one is led to believe the author has never met an actual atheist in real life. His part of the conversation is to bring up the weakest possible "objections" to god's existence and then quickly capitulate that the alien is always right.

This is especially pathetic when they discuss morality, as it's glaringly obvious the author has never read a serious book of ethical philosophy in his life. Not one that was published in the last 200 years anyway. Turns out the alien's morality is always correct because they can "feel it" better than humans can.

The worst part of all this is that the atheist isn't just a strawman, he's also a Scully Skeptic. The alien (with his advanced science and measurements) basically demonstrates the existence of a god-like-being in the first 10 pages of the book. Any real atheist at this point would say "Oh, yes, the universe was created by an intelligence. This is amazing! We should try to find out more about this creator being and contact it if possible!" The evidence is absolutely irrefutable and completely solid. And the book could have been amazing from that point on. But the "atheist" has to deny god for no reason, simply so the author can lay out sophomoric apologetics for the next few hundred pages. These apologetics DO NOT MATTER in the novel's world, because you don't need them when you have actual evidence! But this isn't supposed to be an interesting sci-fi novel. This is the authors attempt at evangelizing his reader in OUR world.

Eventually the atheist is convinced by the poor, leaky arguments of modern apologetics - rather than the physical evidence given in the very first chapter - because that's what the author wants people to do in the real world.

I was promised an interesting story, I was given a cheap Sunday sermon that isn't even aimed at the educated portion of the church.

41 of 53 people found the following review helpful.
A fine book by a fine SF writer
By John S. Ryan
Those of us who have been reading science fiction for more than a couple of decades are notorious for complaining that so few modern writers in the genre live up to the old masters. Well, I'm happy to report an exception. Robert J. Sawyer writes excellent stuff, and this book seems to be as good a place as any to start (both reading and reviewing).

I tend to evaluate SF writers/books along two dimensions -- one for the techie stuff, as measured against James P. Hogan (one of my two favorite living SF writers), and one for the humaneness of the characterization and plot, as measured against Spider Robinson (my other favorite). It's hard to find anybody who does well at both; Charles Sheffield, for example, rates pretty high on the first axis but not too high on the second, and Connie Willis is approximately the reverse.

Well, Sawyer measures up well along both dimensions. His plots include both plausible extrapolations from current science and his characters are always interesting and engaging. And he writes very well; it's hard to put one of his books down once you've started it.

This one is no exception, and it's one of his more ambitious efforts to date. The plot: a non-Terran spacecraft sets down outside the Royal Ontario Museum, and an eight-legged alien (named, as it later emerges, Hollus) walks into the museum and asks to see a paleontologist.

The paleontologist on call happens to be Tom Jericho, who happens to have cancer. And when he learns that on Hollus's planet, scientists think it's just _obvious_ that the universe was designed by an intelligent God, he finds that he has to deal with his own reasons for not believing in God. ("If there were a God, cancer wouldn't exist." The Oncological Argument?)

Most of the plot is devoted to scientific and philosophical discussions between Jericho and Hollus. These are well done; Sawyer is right on the money in his characterizations both of the shortcomings of Darwinian theory and of the "fine-tuned" nature of the universe. (Check out Michael Denton's _Evolution: A Theory in Crisis_ and _Nature's Destiny_ for good discussions of all this stuff.)

Sawyer's own speculative resolution of these issues probably won't please too many traditional theists and I think it's questionable on other grounds as well. But hey, that's what speculative fiction is about, and Sawyer's speculations are veeeeeery interesting even when they're not altogether convincing. (I won't spoil things by giving away any details, but I think I can mention that the Oncological Argument does receive an answer in the end. Not a Pollyanna-ish one, either, but still a hopeful one.)

So why did I deduct a star? Partly because Sawyer's two "fundamentalist/evangelical" characters are such stereotypical caricatures, and partly because I think he rushes his ending a little.

But he's a fine writer and very much in the same class as the old masters of the genre. SF has _always_ (a) dealt with tough theological issues and (b) proposed speculative solutions that depart from both the religious and the scientific mainstream. Sawyer continues this tradition and adds lots of new twists of his own.

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Also available:

Successful Surgical Research - ISBN 1904798713
Clinical Research Methodology and Evidence-based Medicine: The Basics - ISBN 1905740905

Anshan Publishers is a publisher of fine medical, scientific, and technical books. We find the best titles from our worldwide publishing partners and bring them to the global marketplace.

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  • Sales Rank: #2215917 in Books
  • Brand: Brand: Anshan Ltd
  • Published on: 2006-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .50" h x 5.92" w x 8.54" l, .91 pounds
  • Binding: Paperback
  • 276 pages
Features
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Netflixed: The Epic Battle for America's Eyeballs, by Gina Keating

The inside story of Netflix’s incredible rise and uncertain future as master of the video universe
 
Netflix has come a long way since 1997, when Marc Randolph and Reed Hastings decided to start an online DVD store before most people owned a DVD player. Yet its long-term success—or even survival—is still far from guaranteed.
 
Journalist Gina Keating recounts the fast-paced drama of the company’s turbulent rise to the top and its attempt to invent two new kinds of business. First it engaged in a grueling war against videostore behemoth Blockbuster, transforming movie rental forever. Then it jumped into an even bigger battle for online video streaming against Google, Hulu, Amazon, and the big cable companies.
 
Drawing on extensive interviews and her years covering Netflix as a reporter, Keating makes this tale as absorbing as it is important.

  • Sales Rank: #294538 in Books
  • Brand: Brand: Portfolio Trade
  • Published on: 2013-09-24
  • Released on: 2013-09-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .90" w x 5.40" l, .60 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

From Booklist
Founded in 1997 by Marc Randolph and Reed Hastings, Netflix became one of the biggest dot-com success stories. But at the time, the idea of renting DVD movies by mail was considered a long shot, as DVD was barely an established format. Keating separates fact from legend in this story of how the tiny upstart, Netflix, took on and ultimately decimated the goliaths of the industry, Blockbuster Video and Hollywood Video. Although consumers caught on to the service and benefited from the price wars between Netflix and Blockbuster’s rival online service, the companies strained under the pressure of competing at a loss to see who could outlast the other. Fans of either service will be amazed at the machinations that went on behind the scenes while they were blithely enjoying movie after movie on the industry’s dime. It seems that only Apple Computer rivals Netflix in how its customers hold a deep personal attachment to the brand “experience,” and fans of the service will get a lot of insight into how much risk, dedication, and commitment it took to bring that experience into being. --David Siegfried

Review
“The little red envelope that could . . . and did! This is a classic Silicon Valley start-up tale and Keating gives readers behind-the-scenes access to a story that continues to play out in America’s mailboxes, living rooms, and mobile devices every day.”

—JIM COOK, CFO of Mozilla; Netflix founding team member

“A well-crafted, well-researched, and well-sourced page-turner. Keating is no stranger to this subject, having covered Netflix for years as a reporter, and gives readers a fascinating and insightful look into the inner workings of a company that forever changed how America watches movies.”

—LORI STREIFLER, executive editor, City News Service Inc.

“Even if all you know about Netflix is that it has bright red mailers and comes out of your Roku box, Keating’s reporting will make you want to sit down and learn more. It’s a tale of corporate intrigue, gigantic success, and enormous failure.”

—ALLAN PARACHINI, adjunct professor, California State University; former Los Angeles Times reporter

“Netflixed has all the drama and intrigue of a Hollywood blockbuster, but for me, it was also nostalgic. Gina Keating perfectly captured the pressure, energy, and emo­tion we all felt as we fought Netflix for control of America’s living rooms. I’m often asked by people, ‘What happened at Blockbuster?’ Now I can tell them . . . just read Netflixed.”

—BEN COOPER, EVP, Camelot Strategic Marketing & Media; former head of marketing, Blockbuster Online


“…Veteran media journalist Keating’s nonfiction debut is a surprisingly swift-paced mix of investigative journalism and thrillerlike suspense. The major players in the game—Netflix CEO Reed Hastings and Blockbuster’s John Antioco—are both complicated characters, and Keating does a commendable job painting a portrait of these very different business leaders, each with his own unique approach to vying for the same brass ring: domination of the American home-entertainment market …An impressive look at the infinite complexities and cutthroat competition driving the deceptively simple business of 21st-century movie delivery.

—Kirkus Reviews


“There's a grim reality behind the magical wafting of DVDs to our mailboxes, according to this lively, canny business potboiler…[This] colorful narrative climaxes with Netflix and archrival Blockbuster throttling each other in an old-fashioned price war that Netflix wins by a hair. Keating hypes the allegedly world-shaking technological transformations in how we access digital content, but what's far more interesting and dramatic is her smart portrait of how an ever-changing capitalism stays very much the same.”

—Publishers Weekly


“Keating separates fact from legend in this story of how the tiny upstart, Netflix, took on and ultimately decimated the goliaths of the industry, Blockbuster Video and Hollywood Video… It seems that only Apple Computer rivals Netflix in how its customers hold a deep personal attachment to the brand “experience,” and fans of the service will get a lot of insight into how much risk, dedication, and commitment it took to bring that experience into being.”

—DAVID SIEGFRIED, Booklist

About the Author
Gina Keating was a staff reporter for Reuters and United Press International for more than a decade. Her work has appeared in Variety, Southern Living, and Forbes.
 

Most helpful customer reviews

5 of 5 people found the following review helpful.
Blockbusted!
By K. Newcomer
As an avid movie fan and long time customer of Blockbuster I switched to Netflix a few years ago as I loved the no late fees concept. The library from Netflix of course was huge so that was a plus as well. This book helps to explain the disruption in the market for movie fans and how slow Blockbuster was to respond. Reminds me a lot about the ongoing battle with Amazon and Barnes and Noble (Barnes and Noble responded a little better).

Gina Keating does a good job balancing the two sides and taking the reader into both houses to understand the thought process for Blockbuster and Netflix. I enjoyed reading about Johnny Antioco from Blockbuster as he so badly wanted to implement certain ideas, but at times was misguided.

Anyone who is a fan of corporate strategy will enjoy this read as Netflix enjoyed having large amounts of cash and low overhead compared to Blockbuster with a serious cash burn and high overhead. In addition Blockbuster had franchisees not on the same page with overall strategy. Netflix also had a personal credo of "great brands had to connect with customers on a personal level". If used wisely and monitored this is where social media helps certain companies.

Good book on how to get after the more established companies and disrupt "business as usual". Anyone starting a business and challenging mature companies and markets needs to read and understand this book. Well written and an interesting read for sure.

3 of 3 people found the following review helpful.
Mandatory read for any tech entrepreneur
By Ilya Grigorik
Three well-researched books in one: history and evolution of movie rental business, the rise of Netflix and downfall of Blockbuster, battles with Carl Icahn, and more. Gina Keating manages to give the reader a first-person account of all the critical turning points as if you were in the boardroom of each of these companies - it's a real page-turner, both for the storytelling as well as the business, operational, and technology insights hidden in these pages.

It's rare to find a book that can provide a complete head-to-head and blow-by-blow overview of an entire industry -- "Netflixed" is exactly that for the media rental industry. A mandatory read for any tech entrepreneur!

0 of 0 people found the following review helpful.
Netflix & Blockbuster oral histories assembled into a wonderful, rollicking narrative by Gina Keating
By Andy Orrock
Gina Keating's 'Netflixed' is more than just a tale about the rise of Netflix. It's a fascinating - dare say 'gripping' - narrative of the no-holds-barred, street alley fight between Netflix and Blockbuster for America's eyeballs.

We all collectively joke today about Blockbuster's dead meat adherence to its bricks and mortars roots while the country hurtled inexorably towards a broadband future. Keating reminds us that it almost didn't turn out that way. There was a period in time in which Blockbuster - under the stewardship of CEO John Antioco & SVP/GM Shane Evangelist (has there ever been a better name for a corporate leader?) - conceived and masterfully executed Blockbuster Online, an online/offline play which terrified Netflix executives to their bones. Keating's book is as much Antioco & Evangelist's story as it is Reed Hasting's.

For the record, it was Carl Icahn and Jim Keyes that ultimately destroyed the promise of Blockbuster Online, not Netflix. Keating makes a very compelling case on that account. Consider it death by one's own hand.

On the Netflix side, it's less Hasting's tale than it is Mark Randolph's, the founder and spiritual touchstone of Netflix. Keating's stories from early days of Netflix have the feel of a joyous, swashbuckling band of pirates. The author does tip her hat to Hastings though -- the man's combination of entrepreneurial chops, serious smarts, ability to be the secret whisperer to the financial markets and sheer will of personality are a fearsome combination in one man. This is no accidental success story.

In her Acknowledgements, Keating relates that "[t]hese executives humbled me with candid self-assessment, the likes of which I had rarely heard as a longtime journalist covering the financial, political, and legal realms. Simply being allowed to share their thoughts and emotional journey at such close range made this project highly satisfying." Her talent is that she took these oral histories and assembled them into this wonderful, rollicking narrative. I highly recommend you check it out.

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Selasa, 24 September 2013

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The Book of Human Emotions: From Ambiguphobia to Umpty -- 154 Words from Around the World for How We Feel, by Tiffany Watt Smith

A thoughtful, gleeful encyclopedia of emotions, both broad and outrageously specific, from throughout history and around the world.

How do you feel today? Is your heart fluttering in anticipation? Your stomach tight with nerves? Are you falling in love? Feeling a bit miffed? Do you have the heebie-jeebies? Are you antsy with iktsuarpok or filled with nakhes?

Recent research suggests there are only six basic emotions. But if that makes you feel uneasy, suspicious, and maybe even a little bereft, THE BOOK OF HUMAN EMOTIONS is for you. In this unique book, you'll get to travel across the world and through time, learning how different cultures have articulated the human experience and picking up some fascinating new knowledge about yourself along the way.

From the familiar (anger) to the foreign (zal), each entertaining and informative alphabetical entry reveals the surprising connections and fascinating facts behind our emotional lives. Whether you're in search of the perfect word to sum up that cozy feeling you get from being inside on a cold winter's night, surrounded by friends and good food (what the Dutch call gezelligheid), or wondering how nostalgia evolved from a fatal illness to enjoyable self-indulgence, Tiffany Watt Smith draws on history, anthropology, science, art, literature, music, and popular culture to find the answers.

In reading THE BOOK OF HUMAN EMOTIONS, you'll discover feelings you never knew you had (like basorexia, the sudden urge to kiss someone) and gain unexpected insights into why you feel the way you do. Besides, aren't you curious what nginyiwarrarringu means?

  • Sales Rank: #100525 in Books
  • Published on: 2016-06-07
  • Released on: 2016-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 1.25" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 336 pages

Review
"In a world dominated by technology, it is comforting to have Tiffany Watt Smith serve as a guide through the dark woods of our emotions and to remind us: There's a WORD for that."
―Roy Peter Clark, author of Writing Tools and The Art of X-Ray Reading

"Charming"―Melissa Dahl, New York Magazine


"One fun and breezy read."
―Susannah Cahalan, New York Post


"Have you ever felt an emotion that you wish you could express in words, but couldn't figure out quite how? Tiffany Watt Smith can help....Spend a little time learning these words, and it just may help you to understand emotions better."―Justin Bariso, Inc.

"The Book of Human Emotions is as exhaustive and readable a book on emotional vernacular as I can ever recall seeing.... It's an eye-opening read perusing words with a multitude of origins that capture shades and flavors of emotions (many of the words you'll know, but even those are unpacked here ingeniously)....This book is all about the ambiguity, and well worth checking out."―David DiSalvo, Forbes

About the Author
Dr. Tiffany Watt Smith is a research fellow at the QMUL Centre for the History of the Emotions, and was also a 2014 BBC New Generation Thinker. Before choosing to pursue a path in academic research and writing, Dr. Watt Smith worked as a theater director for seven years, including stints as Associate director at the Arcola Theatre and International Associate Director at the Royal Court. She lives in London.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great idea, but inconsistent
By K. Emery
I'm not sure what happened here but suffice it to say there is many a slip twixt cup and lip. Great idea, but inconsistent, incomplete execution. I'm sorry as I was really excited to explore this topic. Someone should pick it up and do it right.

1 of 2 people found the following review helpful.
Two Stars
By Marianna
I thought entries would be a little more obscure. Many (most) of the selected emotions were obvious.

1 of 2 people found the following review helpful.
Five Stars
By Ginger R
great book. Very well written, unexpected gems of learning.

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  • Published on: 1707
  • Binding: Paperback

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Nuisances: Director's Cut, by Michael O. Varhola, Sharon Daugherty, Paul O. Knorr

FOR MATURE AUDIENCES ONLY Nuisances: Director’s Cut is unlike any other fantasy RPG sourcebook! It is a tribute to the early years of fantasy roleplaying games, a parody of the current state of the genre, a guide to an alternate and more fun style of play, a manual for keeping cocky and annoying players off balance, and a poignant philosophical expression of the post-modern, 21st century worldview. It includes: * Hundreds of aggravating and awful and things that can happen to players! * Scores of defective items! * Unfortunate NPC personality traits! * Many, many random d100, d12, and other Random Tables! * 49 unsavory Feats, as well as a section on Subtypes! * 59 character Defects! * Rules on glasses and problems associated with wearing them! * 31 cursed and unsavory Magic Items! * An expanded selection of "Random Monster Pornography"! * A new Archtypical nuisance NPC, along with two associated spells! * A chapter on Skills! * Many pieces of original art!

  • Sales Rank: #1737106 in Books
  • Published on: 2013-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .30" w x 8.50" l, .72 pounds
  • Binding: Paperback
  • 132 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Off-color d20 has never been so fun!
By Zachary Oconnor
This book is a mixture of hilarious spoofing of D&D tradition, and eclectic collections of useful game materials! Whether you need a table to determine a random color, new feats like Killer 'Do and Hot Body, new defects like Effeminate/Butch or Pyromaniac, or even new monsters like the Decapussywhipper, this is definitely the book for you! From defective items to random tables of villains to odd but useful feats and more, Nuisances: Director's Cut is the book your players won't see coming!

3 of 3 people found the following review helpful.
Keeps getting Better and Better!
By R. Moraes
You can't keep a good half-human down! This latest edition of the highlariously playable Nuisances has been playtested and expanded upon to give gamers more to groan about and DMs more to smile about, and vise versa! Nothing like an already tiny halfling with the Dwarfism defect (which grants and extra Feat choice as well) to really ankle bite and frustrate the legions of tall gnolls around the countryside!

3 of 3 people found the following review helpful.
Oh man I love Nuisances!
By Cassandra Rogers
Seriously- the first Nuisances book made me laugh until I cried and my stomach hurt so of course when I saw this extended version, I had to own it... The beautiful new design is awesome and the additions to the original material made buying this book worth every penny! This book is a lot of fun and anyone who likes d20 games needs to have it!

See all 7 customer reviews...

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